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Showing content with the highest reputation on 04/19/2023 in all areas

  1. I disagree with this entirely. Their music is very good if you're into industrial music. I like almost everything they have put out. On top of that I think their live show was one of the best I have ever seen. They actually put thought and effort into making it a great show and not just guys standing there playing music
    3 points
  2. Hey everybody, As promised, we are launching a new SSTB pressing tomorrow (Thursday) at 1pm EST /10am PST. This will be a 48-hour presale, 1 per person. It will be a Green with Yellow and White Splatter variant (image attached). We will also have a White and Black Splatter tour exclusive and will be printing more of our transparent black retail variant, which we will continue to make available for the foreseeable future. A cassette will also be made available for the 48-hour window. We hope this will give everyone interested more than enough chances to get a copy of the album and we thank you for your neverending support. Coheed and Cambria Link will be https://bit.ly/3JTHTro
    2 points
  3. Maybe I’m in the minority but I thought their last two albums were great.
    2 points
  4. + it’s only 1 song... All members respective bands are very dynamic at times (even FFAA). And having Greg in there opens up a lot of possibilities musically w his singing that the other members haven’t had before.
    2 points
  5. Sometimes I wonder if anyone on here gives a shit about jazz, but I personally do, so ¯\_(ツ)_/¯ $199.98 + shipping from Rhino, $199.98 Prime on Amazon LOS ANGELES – Charles Mingus is the most important American jazz composer after Duke Ellington and Billy Strayhorn. As part of the ongoing celebration of Mingus’ centennial, Rhino will release a new boxed set that spotlights the creative resurgence that defined the final phase of the legendary bassist and composer’s career. The upcoming collection includes the last seven studio albums Mingus recorded for Atlantic Records between 1973 and his death in 1979 and a selection of outtakes - some previously unreleased. CHANGES: THE COMPLETE 1970s ATLANTIC RECORDINGS will be released on June 23 as a 7-CD set for $79.98, an 8-LP set on 180-gram vinyl for $199.98, digitally for $24.99, and for stream. The set brings together newly remastered versions of all seven studio albums Mingus recorded for Atlantic in the 1970s. The LP and CD versions include Mingus Moves (1973), Changes One (1974), Changes Two (1974), Three or Four Shades of Blues (1977), Cumbia & Jazz Fusion (1977), Me, Myself an Eye (1979), and Something Like a Bird (1979). The collection also features previously unreleased session outtakes. CHANGES: THE COMPLETE 1970s ATLANTIC RECORDINGS comes with an illustrated booklet that delves deep into the final years of Mingus’ music with extensive liner notes by Andrew Homzy, a musician, arranger, jazz scholar, and Grammy® Award Nominee. Mingus Moves opens the collection, recorded in October 1973, leading a new quintet with youthful musicians – trumpeter Ronald Hampton, tenor saxophonist George Adams, and pianist Don Pullen – and old friend Dannie Richmond on drums. One of the songs they recorded was a new Mingus composition, “Opus 3,” which was built on the chords from the composer’s 1956 landmark piece, “Pithecanthropus Erectus.” The band’s lineup shifted slightly in 1974 when Jack Walrath replaced Hampton on trumpet. Soon, Mingus and the group returned to the studio for a three-day session that produced two albums, Changes One and Changes Two. A tribute to Mingus’ dynamic wife, “Sue’s Changes” from Changes One is a vibrant masterpiece. With five themes that move through several different keys, tempos, instrumental textures, and emotional registers, it’s a highwater mark not only in Mingus’ career but also in jazz history. Mingus recorded Three or Four Shades of Blues in 1977 with a rotating cast of stellar musicians. The album includes new versions of two Mingus standards, “Goodbye Porkpie Hat” and “Better Git Hit In Your Soul.” Mingus was commissioned to write the score for an Italian film, Todo Modo, in 1976. Performing with a large ensemble, he recorded two extended compositions that rank high among his best work of the 1970s. Ironically, the music wasn’t used in the film; however, it was released on Cumbia & Jazz Fusion in 1977. Later that year, Mingus was diagnosed with Amyotrophic Lateral Sclerosis (aka Lou Gehrig’s Disease). Undeterred, he continued to compose and direct his last recording sessions from a wheelchair. Me, Myself an Eye, and Something Like a Bird were completed before his death in January 1979 - both included in Changes. Five previously unreleased recordings debut in the new collection. The CD version includes three outtakes: “Big Alice,” “The Call,” and “Music for ‘Todo Modo.’” The LP version consists of those plus additional unreleased takes for “Big Alice” and “The Call” that are exclusive to the vinyl set CHANGES: THE COMPLETE 1970s ATLANTIC RECORDINGS Vinyl Track Listing LP 1: Mingus Moves (1973) Side 1 1. “Canon” 2. “Opus 4” 3. “Moves” 4. “Wee” Side 2 1. “Flowers For A Lady” 2. “Newcomer” 3. “Opus 3” LP 2: Changes One (1974) Side 1 1. “Remember Rockefeller At Attica” 2. “Sue’s Changes” Side 2 1. “Devil Blues” 2. “Duke Ellington’s Sound Of Love” LP 3: Changes Two (1974) Side 1 1. “Free Cell Block F, ‘Tis Nazi U.S.A.” 2. “Orange Was The Color Of Her Dress, Then Silk Blue” Side 2 1. “Black Bats And Poles” 2. “Duke Ellington’s Sound Of Love” 3. “For Harry Carney” LP 4: Three Or Four Shades Of Blues (1977) Side 1 1. “Better Git Hit In Your Soul” 2. “Goodbye, Porkpie Hat” 3. “Noddin Ya Head Blues” Side 2 1. “Three Or Four Shades Of Blues” 2. “Nobody Knows (The Bradley I Know)” LP 5: Cumbia & Jazz Fusion (1977) Side 1 1. “Cumbia & Jazz Fusion” Side 2 1. “Music for ‘Todo Modo’” LP 6: Me, Myself An Eye (1979) Side 1 1. “Three Worlds Of Drums” Side 2 1. “Devil Woman” 2. “Wednesday Night Prayer Meeting” 3. “Carolyn ‘Keki’ Mingus” LP 7: Something Like A Bird (1979) Side 1 1. “Something Like A Bird Part 1” Side 2 1. “Something Like A Bird Part 2” 2. “Farewell Farwell” LP 8: Outtakes Side 1 1. “Music For ‘Todo Modo’” (Take 1)* 2. “Big Alice” (Take 1) * 3. “Big Alice” (Take 2) * Side 2 1. “Big Alice” (Take 3) * 2. “Big Alice” (Take 4) 3. “The Call” (Take 1) * 4. “The Call” (Take 2) * Previously Unreleased
    1 point
  6. I contributed here more than you ever could, and still out of us, you were the one that started being personal, because you don't like my opinion on a band you like, grow up. Also sorry that rationality tied with sarcasm on mostly prices and pointless 4.7-year anniversary deluxe represses means negativity for you and lot of other users.
    1 point
  7. I love this band but any single LP that's $30 is almost always an immediate pass for me at this point.
    1 point
  8. It's amazing to watch a disagreement on VC not result in tantrums and locked threads. I'm really proud of you guys.
    1 point
  9. Was my exact thoughts too. I thought we agreed earlier in the thread to let whatever spawned within the 'TIDVERSE to come about without quick judgment! C'mon lads, don't lose faith!!
    1 point
  10. I'm never really been a fan of Greg, I lost interest in DEP after he joined, and he pales in comparison to Keith over farily typical ETiD riffs. I'll have to give the song a couple more spins and see what the rest of the album is like, but I don't really feel any sort of way about the track.
    1 point
  11. Extremely rare instance where the vinyl ships before the shirt 😆
    1 point
  12. yeah i definetly "don't understand it", and it's not being disgusting or cheap as they only use it to draw attention while the music itself lacks any sort of creativity. But you are right it's not their fault that people seek these kinda attractions instead of going to real musical events, all I was saying that I'm shocked and sad that this is what sells in this day and age, and especially amazed that even in the US where people are barely accepting anything outside of the us and even canadian and UK bands struggle, and here is this german (IN GERMAN, sick) band who makes it, just because of their show which has nothing to do with music. strange...
    1 point
  13. Some elements of Rammstein's show are meant to shock and provoke. Just because you didn't understand something or didn't like it doesn't mean it's "awful".
    1 point
  14. That's your personal opinion. My opinion is exactly the opposite. Was listening to them all last week and forgot how good they are! Won’t say that I read the lyrics translation, but the words fit the music very well and together gives so much of an atmosphere. Also the shows are brilliant!
    1 point
  15. I’m in the exact same boat. Gotta hand it to them, they did put on an incredible show last September, given all the emotional shit I was put through that day hah
    1 point
  16. new center labels, new back cover art font, new insert with photos from the era, new slip cover, new cover art.
    1 point
  17. I was never super into Rammstein – and especially not in recent years – but I can’t deny that I had this one and Mutter in my iTunes as a kid. Can’t say I feel any urge to own them as an adult but more power to anyone who does. RIP that 2LP pricing though. Spicy.
    1 point
  18. Bronchitis

    PO: Codeine - Dessau

    My Bedhead records from the box are fine.
    1 point
  19. Hate5six recorded one of their shows
    1 point
  20. Stoked, hopefully will see them (twice) in Brighton. Not wanted to see a band this badly for years.
    1 point
  21. They’re skipping California completely so couldn’t go if I wanted. Maybe they have another tour to announce instead? Also, am I the only one not digging the song immediately? It kinda seemed like generic parts of ETID and DEP slapped together. I kinda like some moments of calm in my ETID songs. This one was kinda go-go-go. I kinda spaced out and wanted it over half way.
    1 point
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