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turnstiles

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  1. Like
    turnstiles got a reaction from Shinji in Mineral - The Power of Failing and Endserenading Deluxe 2xLPs.   
    I'm with this person. 
  2. Like
    turnstiles reacted to brillwill in The Unicorns - Who Will Cut Our Hair When We're Gone REISSUE   
    i was there at their final show in houston texas when they broke up on stage. Nick Diamonds chugged an entire bottle of red wine, threw the bottle into the crowd and just ranted for 20 minutes in the middle of haunted house. Eventually Alden left the stage after 5 minutes, then Jaime, then Nick ended up rolling on the ground moaning and trying to roll off the stage with the fans pushing him back on. Probably the greatest show I've ever witnessed live
  3. Like
    turnstiles got a reaction from Big Country in Jason Tate: "Yes, vinyl prices are going up. No, I don't feel bad."   
    It has come to my attention that the average price of a record has gone up incrementally in the last two to three years. We have seen Hot Topic, Shop Radio Cast, Music on Vinyl and other companies buy the rights to albums to get them produced on vinyl for the first time or reissued. With this buying and selling of rights to music the price of the product has increased via these outlets. In an example look at the recent reissues of Blink 182's catalogue or the reissues of some of the early Mars Volta records. These records when they initially came out were much cheaper than they are now. Which leads me to say that vinyl is a craze. That is why the prices are going up. People that understand supply and demand have taken the artist out of the equation and bought up the rights to their music to make a profit. After all we do live in a capitalist society.

    I have a problem paying 31.99 for a record that can be manufactured for $12.25. I just do. I know that barely any of that ~200% profit is going to the artists that actually make the music. I understand that a record is something tangible and I do have to pay a premium for that at this point in time but where do we draw the line?

    The numbers do not lie. There are many vinyl pressing plants located in the United States that have specials on vinyl production. But lets not even look at the specials. Lets max out the possible amount of money one company can spend on getting something pressed. Keep in mind these are big companies with a lot of money to spend and a lot of money to gain. After all we are still buying the releases aren't we? For the example I am using I am going through United Record Pressing, a plant in Nashville Tennessee that presses most, if not all of Jack White's crazy releases. I am on their 12" record cost calculator. The first thing I do is change from a single LP option to 2XLP option, then I change the amount of records from 500 to 1500, lets be realistic, if a business can't sell 1500 units of something it isn't worth their initial investment. We increase the number to 1500 units, and I am changing the weight of the record from standard vinyl to 180 gram audiophile vinyl. I change the option from sending in a CD to emailing in WAV files, because a click is simpler than mailing a CD and we want a higher quality mix don't we? The next step I complete is the colored vinyl portion, everyone loves colored vinyl so it has to be colored, all 1500 on a custom color because if it isn't unique we won't buy it. Then we go to the labels, we don't want one plain color label, we want the upgrade. 2 colors. Now most people who press records might get their own jackets but since we're a big business and we want a one stop shop we're going to get our jackets from URpressing too. PREMIUM gatefold jackets. We are going to have the nice people at URpressing insert the records into our jackets and also offer a digital download and have them shrink-wrap our release. Now the total cost for the business is 17,355.00 without shipping. Let's be super generous and add 1000$ for shipping. So we're at 18,355.00 for 1500 records. That's 12.24 per 2XLP set. How do we justify the markup to 31.99? I can see purchasing this record with all the premium upgrades for 24.99 because lets be honest. There are a lot of upgrades most that are not even used in current represses. Those Hot Topic Blink 182 records are not 180 gram vinyl so let's subtract the 2980.00 Brings the price per unit with shipping down to 10.25 a 2XLP set. But wait, we aren't getting digital downloads and they don't have to put the digital downloads into the sleeves either, let's remove that 490.00 and that gets us down to 9.92 per 2xLP. Oh my God! You're telling me these blink 182 reissues are not 2xLPs? My bad! Let's reduce it down to 1xLP and see the cost. Wow! That brings our cost down to 7.31. But they are charging 19.99 for these in the store.

    Normal retail survives by marking things up 100% So let's do the normal retail thing and mark up our release 14.66. That seems like a VERY FAIR price for the album. Hell, I'd even go up to 17$ so they can recoup some of the expensive licensing costs. OMG How could I have forgotten, this particular press I was thinking about was actually 2700, not 1500. Let's change that. That brings our cost per album with the amazingly high quality jacket and the custom color down to 5.02 after shipping. They are selling this album at around 300% profit.

    At least with the new Jimmy Eat World Reissues it's a little more tolerable. Those records are 180 gram color vinyl with gatefold jackets and they are double LPs. The cost can't be determined because we do not know how many they are actually pressing. If they are pressing something like 3000 of each, which wouldn't be outside of the realm of thinking, it would cost around 9$ per 2xLP with all the PREMIUM UPGRADES. List price 31.99. Still around a 200% profit margin.

    Lets not forget, like all crazes we are taking something very cheap to produce and marking it up incredibly. Crazy bones, those were pieces of fucking plastic. Pokemon Cards, those we're pieces of cardboard with foil. Baseball cards just like Pokemon cards, some minus the foil. Vinyl records are just another craze. But I don't agree with Jason Tate. I don't feel okay paying 31.99 for an album. I feel okay paying 13-18$ and I can still do that with smaller labels like Red Scare, Asian Man, Dischord, Topshelf, and No Sleep (if I left you out I am sorry). I can still go to shows and pick up albums for 12$ from bands like Modern Baseball or The Hotelier. I can revel in the past when I bought 100$ worth of albums from Saddle Creek and I got a personal email from someone named Nate at the company thanking me for making such a big purchase. Or when my friend bought five or six albums from Red Scare and a special OOP surprise was included in her order.

    People are good at manufacturing rarity, rarity sells, that's why presses /100 or /300 sell out in a few hours. But people still buy the 2nd, 3rd, 4th, and 26th press of an album. So I hope the craze dies out, but I also hope that vinyl stays around.

    And just to let everyone know, when Shop Radio Cast or someone else represses Brand New's Deja Entendu /1500 on silver vinyl with a polaroid of Jesse's dick (hand numbered by Adam Lazarra (just playing dude)) I will still buy it for 100$. I'm just like everyone else that is feeding the craze. There are viable ways to keep cost of records down. I don't want fancy bullshit. I want a black 120-180 gram record that was mastered by someone who owns a fucking turntable.
     
    http://wordsturnstyles.tumblr.com
  4. Like
    turnstiles got a reaction from thejesseb in Soon: Aaron West and the Roaring Twenties   
    It's so gimmicky.
  5. Downvote
    turnstiles got a reaction from glass realms in Soon: Aaron West and the Roaring Twenties   
    It's so gimmicky.
  6. Like
    turnstiles reacted to Shelby in The Ex-Girlfriend (or Boyfriend) Thread   
    Post it
  7. Downvote
    turnstiles got a reaction from smeepo in Soon: Aaron West and the Roaring Twenties   
    I think the whole staying in character thing is a little fucking ridiculous. We get it. This isn't the wonder years. But you don't see the people that influence you (Craig Finn, John Darnielle) walking around pretending their Gideon, Holly, or the fucking AlphaCouple. Grow up soup.
  8. Like
    turnstiles reacted to Shelby in holy fuck this is fuckin weird   
    You should go drop it off in a mailer when they aren't home and save that 3 dollars. They'll never know, it's the perfect crime.
  9. Like
    turnstiles reacted to dantheriver in holy fuck this is fuckin weird   
    I can't believe someone agreed to GIFT you $250.  What a moron.
  10. Like
    turnstiles reacted to larry47591 in holy fuck this is fuckin weird   
    I had this happen about a year ago.  Except I bought something and the guy just drove it over since we lived in the same town.
  11. Downvote
    turnstiles got a reaction from Klefki in Soon: Aaron West and the Roaring Twenties   
    I think the whole staying in character thing is a little fucking ridiculous. We get it. This isn't the wonder years. But you don't see the people that influence you (Craig Finn, John Darnielle) walking around pretending their Gideon, Holly, or the fucking AlphaCouple. Grow up soup.
  12. Downvote
    turnstiles got a reaction from glass realms in Soon: Aaron West and the Roaring Twenties   
    I think the whole staying in character thing is a little fucking ridiculous. We get it. This isn't the wonder years. But you don't see the people that influence you (Craig Finn, John Darnielle) walking around pretending their Gideon, Holly, or the fucking AlphaCouple. Grow up soup.
  13. Like
    turnstiles got a reaction from Klefki in PO: Screeching Weasel Baby Fat 2xLP   
    Yeah, fuck this? 
  14. Like
    turnstiles reacted to jaxvinyl in I just got one of the best deals of my life.   
    Coheed & Cambria - In Keeping Secrets for $5 at a garage sale.
  15. Like
    turnstiles reacted to burntwolf in I just got one of the best deals of my life.   
    nofx -- decline clear for 4$ w/ trade credit
  16. Like
    turnstiles reacted to just a normal guy kevin in Custom Record Sleeves by Andrew Lucas   
    You have my full blessing.
  17. Downvote
    turnstiles got a reaction from justinraz in Taking offers on 1K+ records: Tests, punk, jazz, rock, metal, soul, hardcore, etc   
    good luck on your sale. this guy is an A+ good seller. 
  18. Like
    turnstiles got a reaction from Royce in Pre-Order Now! - Airiel "Winks and Kisses" (FFO - Shoegaze/Dream Pop)   
    Listened to the track, I want everything.
  19. Like
    turnstiles got a reaction from Rapidfiretollbooth in PO: THE MARS VOLTA - AMPUTECHTURE -RED/GOLD VINYL EDITION- by Music On Vinyl   
    I'll always go with the wild card
  20. Like
    turnstiles got a reaction from Hairy Potter in Jason Tate: "Yes, vinyl prices are going up. No, I don't feel bad."   
    It has come to my attention that the average price of a record has gone up incrementally in the last two to three years. We have seen Hot Topic, Shop Radio Cast, Music on Vinyl and other companies buy the rights to albums to get them produced on vinyl for the first time or reissued. With this buying and selling of rights to music the price of the product has increased via these outlets. In an example look at the recent reissues of Blink 182's catalogue or the reissues of some of the early Mars Volta records. These records when they initially came out were much cheaper than they are now. Which leads me to say that vinyl is a craze. That is why the prices are going up. People that understand supply and demand have taken the artist out of the equation and bought up the rights to their music to make a profit. After all we do live in a capitalist society.

    I have a problem paying 31.99 for a record that can be manufactured for $12.25. I just do. I know that barely any of that ~200% profit is going to the artists that actually make the music. I understand that a record is something tangible and I do have to pay a premium for that at this point in time but where do we draw the line?

    The numbers do not lie. There are many vinyl pressing plants located in the United States that have specials on vinyl production. But lets not even look at the specials. Lets max out the possible amount of money one company can spend on getting something pressed. Keep in mind these are big companies with a lot of money to spend and a lot of money to gain. After all we are still buying the releases aren't we? For the example I am using I am going through United Record Pressing, a plant in Nashville Tennessee that presses most, if not all of Jack White's crazy releases. I am on their 12" record cost calculator. The first thing I do is change from a single LP option to 2XLP option, then I change the amount of records from 500 to 1500, lets be realistic, if a business can't sell 1500 units of something it isn't worth their initial investment. We increase the number to 1500 units, and I am changing the weight of the record from standard vinyl to 180 gram audiophile vinyl. I change the option from sending in a CD to emailing in WAV files, because a click is simpler than mailing a CD and we want a higher quality mix don't we? The next step I complete is the colored vinyl portion, everyone loves colored vinyl so it has to be colored, all 1500 on a custom color because if it isn't unique we won't buy it. Then we go to the labels, we don't want one plain color label, we want the upgrade. 2 colors. Now most people who press records might get their own jackets but since we're a big business and we want a one stop shop we're going to get our jackets from URpressing too. PREMIUM gatefold jackets. We are going to have the nice people at URpressing insert the records into our jackets and also offer a digital download and have them shrink-wrap our release. Now the total cost for the business is 17,355.00 without shipping. Let's be super generous and add 1000$ for shipping. So we're at 18,355.00 for 1500 records. That's 12.24 per 2XLP set. How do we justify the markup to 31.99? I can see purchasing this record with all the premium upgrades for 24.99 because lets be honest. There are a lot of upgrades most that are not even used in current represses. Those Hot Topic Blink 182 records are not 180 gram vinyl so let's subtract the 2980.00 Brings the price per unit with shipping down to 10.25 a 2XLP set. But wait, we aren't getting digital downloads and they don't have to put the digital downloads into the sleeves either, let's remove that 490.00 and that gets us down to 9.92 per 2xLP. Oh my God! You're telling me these blink 182 reissues are not 2xLPs? My bad! Let's reduce it down to 1xLP and see the cost. Wow! That brings our cost down to 7.31. But they are charging 19.99 for these in the store.

    Normal retail survives by marking things up 100% So let's do the normal retail thing and mark up our release 14.66. That seems like a VERY FAIR price for the album. Hell, I'd even go up to 17$ so they can recoup some of the expensive licensing costs. OMG How could I have forgotten, this particular press I was thinking about was actually 2700, not 1500. Let's change that. That brings our cost per album with the amazingly high quality jacket and the custom color down to 5.02 after shipping. They are selling this album at around 300% profit.

    At least with the new Jimmy Eat World Reissues it's a little more tolerable. Those records are 180 gram color vinyl with gatefold jackets and they are double LPs. The cost can't be determined because we do not know how many they are actually pressing. If they are pressing something like 3000 of each, which wouldn't be outside of the realm of thinking, it would cost around 9$ per 2xLP with all the PREMIUM UPGRADES. List price 31.99. Still around a 200% profit margin.

    Lets not forget, like all crazes we are taking something very cheap to produce and marking it up incredibly. Crazy bones, those were pieces of fucking plastic. Pokemon Cards, those we're pieces of cardboard with foil. Baseball cards just like Pokemon cards, some minus the foil. Vinyl records are just another craze. But I don't agree with Jason Tate. I don't feel okay paying 31.99 for an album. I feel okay paying 13-18$ and I can still do that with smaller labels like Red Scare, Asian Man, Dischord, Topshelf, and No Sleep (if I left you out I am sorry). I can still go to shows and pick up albums for 12$ from bands like Modern Baseball or The Hotelier. I can revel in the past when I bought 100$ worth of albums from Saddle Creek and I got a personal email from someone named Nate at the company thanking me for making such a big purchase. Or when my friend bought five or six albums from Red Scare and a special OOP surprise was included in her order.

    People are good at manufacturing rarity, rarity sells, that's why presses /100 or /300 sell out in a few hours. But people still buy the 2nd, 3rd, 4th, and 26th press of an album. So I hope the craze dies out, but I also hope that vinyl stays around.

    And just to let everyone know, when Shop Radio Cast or someone else represses Brand New's Deja Entendu /1500 on silver vinyl with a polaroid of Jesse's dick (hand numbered by Adam Lazarra (just playing dude)) I will still buy it for 100$. I'm just like everyone else that is feeding the craze. There are viable ways to keep cost of records down. I don't want fancy bullshit. I want a black 120-180 gram record that was mastered by someone who owns a fucking turntable.
     
    http://wordsturnstyles.tumblr.com
  21. Like
    turnstiles got a reaction from fuckinandsuckinandtouchin in Jason Tate: "Yes, vinyl prices are going up. No, I don't feel bad."   
    It has come to my attention that the average price of a record has gone up incrementally in the last two to three years. We have seen Hot Topic, Shop Radio Cast, Music on Vinyl and other companies buy the rights to albums to get them produced on vinyl for the first time or reissued. With this buying and selling of rights to music the price of the product has increased via these outlets. In an example look at the recent reissues of Blink 182's catalogue or the reissues of some of the early Mars Volta records. These records when they initially came out were much cheaper than they are now. Which leads me to say that vinyl is a craze. That is why the prices are going up. People that understand supply and demand have taken the artist out of the equation and bought up the rights to their music to make a profit. After all we do live in a capitalist society.

    I have a problem paying 31.99 for a record that can be manufactured for $12.25. I just do. I know that barely any of that ~200% profit is going to the artists that actually make the music. I understand that a record is something tangible and I do have to pay a premium for that at this point in time but where do we draw the line?

    The numbers do not lie. There are many vinyl pressing plants located in the United States that have specials on vinyl production. But lets not even look at the specials. Lets max out the possible amount of money one company can spend on getting something pressed. Keep in mind these are big companies with a lot of money to spend and a lot of money to gain. After all we are still buying the releases aren't we? For the example I am using I am going through United Record Pressing, a plant in Nashville Tennessee that presses most, if not all of Jack White's crazy releases. I am on their 12" record cost calculator. The first thing I do is change from a single LP option to 2XLP option, then I change the amount of records from 500 to 1500, lets be realistic, if a business can't sell 1500 units of something it isn't worth their initial investment. We increase the number to 1500 units, and I am changing the weight of the record from standard vinyl to 180 gram audiophile vinyl. I change the option from sending in a CD to emailing in WAV files, because a click is simpler than mailing a CD and we want a higher quality mix don't we? The next step I complete is the colored vinyl portion, everyone loves colored vinyl so it has to be colored, all 1500 on a custom color because if it isn't unique we won't buy it. Then we go to the labels, we don't want one plain color label, we want the upgrade. 2 colors. Now most people who press records might get their own jackets but since we're a big business and we want a one stop shop we're going to get our jackets from URpressing too. PREMIUM gatefold jackets. We are going to have the nice people at URpressing insert the records into our jackets and also offer a digital download and have them shrink-wrap our release. Now the total cost for the business is 17,355.00 without shipping. Let's be super generous and add 1000$ for shipping. So we're at 18,355.00 for 1500 records. That's 12.24 per 2XLP set. How do we justify the markup to 31.99? I can see purchasing this record with all the premium upgrades for 24.99 because lets be honest. There are a lot of upgrades most that are not even used in current represses. Those Hot Topic Blink 182 records are not 180 gram vinyl so let's subtract the 2980.00 Brings the price per unit with shipping down to 10.25 a 2XLP set. But wait, we aren't getting digital downloads and they don't have to put the digital downloads into the sleeves either, let's remove that 490.00 and that gets us down to 9.92 per 2xLP. Oh my God! You're telling me these blink 182 reissues are not 2xLPs? My bad! Let's reduce it down to 1xLP and see the cost. Wow! That brings our cost down to 7.31. But they are charging 19.99 for these in the store.

    Normal retail survives by marking things up 100% So let's do the normal retail thing and mark up our release 14.66. That seems like a VERY FAIR price for the album. Hell, I'd even go up to 17$ so they can recoup some of the expensive licensing costs. OMG How could I have forgotten, this particular press I was thinking about was actually 2700, not 1500. Let's change that. That brings our cost per album with the amazingly high quality jacket and the custom color down to 5.02 after shipping. They are selling this album at around 300% profit.

    At least with the new Jimmy Eat World Reissues it's a little more tolerable. Those records are 180 gram color vinyl with gatefold jackets and they are double LPs. The cost can't be determined because we do not know how many they are actually pressing. If they are pressing something like 3000 of each, which wouldn't be outside of the realm of thinking, it would cost around 9$ per 2xLP with all the PREMIUM UPGRADES. List price 31.99. Still around a 200% profit margin.

    Lets not forget, like all crazes we are taking something very cheap to produce and marking it up incredibly. Crazy bones, those were pieces of fucking plastic. Pokemon Cards, those we're pieces of cardboard with foil. Baseball cards just like Pokemon cards, some minus the foil. Vinyl records are just another craze. But I don't agree with Jason Tate. I don't feel okay paying 31.99 for an album. I feel okay paying 13-18$ and I can still do that with smaller labels like Red Scare, Asian Man, Dischord, Topshelf, and No Sleep (if I left you out I am sorry). I can still go to shows and pick up albums for 12$ from bands like Modern Baseball or The Hotelier. I can revel in the past when I bought 100$ worth of albums from Saddle Creek and I got a personal email from someone named Nate at the company thanking me for making such a big purchase. Or when my friend bought five or six albums from Red Scare and a special OOP surprise was included in her order.

    People are good at manufacturing rarity, rarity sells, that's why presses /100 or /300 sell out in a few hours. But people still buy the 2nd, 3rd, 4th, and 26th press of an album. So I hope the craze dies out, but I also hope that vinyl stays around.

    And just to let everyone know, when Shop Radio Cast or someone else represses Brand New's Deja Entendu /1500 on silver vinyl with a polaroid of Jesse's dick (hand numbered by Adam Lazarra (just playing dude)) I will still buy it for 100$. I'm just like everyone else that is feeding the craze. There are viable ways to keep cost of records down. I don't want fancy bullshit. I want a black 120-180 gram record that was mastered by someone who owns a fucking turntable.
     
    http://wordsturnstyles.tumblr.com
  22. Like
    turnstiles got a reaction from BobbyHill in PO: THE MARS VOLTA - AMPUTECHTURE -RED/GOLD VINYL EDITION- by Music On Vinyl   
    I'll always go with the wild card
  23. Like
    turnstiles got a reaction from Youinreverse in Jason Tate: "Yes, vinyl prices are going up. No, I don't feel bad."   
    It has come to my attention that the average price of a record has gone up incrementally in the last two to three years. We have seen Hot Topic, Shop Radio Cast, Music on Vinyl and other companies buy the rights to albums to get them produced on vinyl for the first time or reissued. With this buying and selling of rights to music the price of the product has increased via these outlets. In an example look at the recent reissues of Blink 182's catalogue or the reissues of some of the early Mars Volta records. These records when they initially came out were much cheaper than they are now. Which leads me to say that vinyl is a craze. That is why the prices are going up. People that understand supply and demand have taken the artist out of the equation and bought up the rights to their music to make a profit. After all we do live in a capitalist society.

    I have a problem paying 31.99 for a record that can be manufactured for $12.25. I just do. I know that barely any of that ~200% profit is going to the artists that actually make the music. I understand that a record is something tangible and I do have to pay a premium for that at this point in time but where do we draw the line?

    The numbers do not lie. There are many vinyl pressing plants located in the United States that have specials on vinyl production. But lets not even look at the specials. Lets max out the possible amount of money one company can spend on getting something pressed. Keep in mind these are big companies with a lot of money to spend and a lot of money to gain. After all we are still buying the releases aren't we? For the example I am using I am going through United Record Pressing, a plant in Nashville Tennessee that presses most, if not all of Jack White's crazy releases. I am on their 12" record cost calculator. The first thing I do is change from a single LP option to 2XLP option, then I change the amount of records from 500 to 1500, lets be realistic, if a business can't sell 1500 units of something it isn't worth their initial investment. We increase the number to 1500 units, and I am changing the weight of the record from standard vinyl to 180 gram audiophile vinyl. I change the option from sending in a CD to emailing in WAV files, because a click is simpler than mailing a CD and we want a higher quality mix don't we? The next step I complete is the colored vinyl portion, everyone loves colored vinyl so it has to be colored, all 1500 on a custom color because if it isn't unique we won't buy it. Then we go to the labels, we don't want one plain color label, we want the upgrade. 2 colors. Now most people who press records might get their own jackets but since we're a big business and we want a one stop shop we're going to get our jackets from URpressing too. PREMIUM gatefold jackets. We are going to have the nice people at URpressing insert the records into our jackets and also offer a digital download and have them shrink-wrap our release. Now the total cost for the business is 17,355.00 without shipping. Let's be super generous and add 1000$ for shipping. So we're at 18,355.00 for 1500 records. That's 12.24 per 2XLP set. How do we justify the markup to 31.99? I can see purchasing this record with all the premium upgrades for 24.99 because lets be honest. There are a lot of upgrades most that are not even used in current represses. Those Hot Topic Blink 182 records are not 180 gram vinyl so let's subtract the 2980.00 Brings the price per unit with shipping down to 10.25 a 2XLP set. But wait, we aren't getting digital downloads and they don't have to put the digital downloads into the sleeves either, let's remove that 490.00 and that gets us down to 9.92 per 2xLP. Oh my God! You're telling me these blink 182 reissues are not 2xLPs? My bad! Let's reduce it down to 1xLP and see the cost. Wow! That brings our cost down to 7.31. But they are charging 19.99 for these in the store.

    Normal retail survives by marking things up 100% So let's do the normal retail thing and mark up our release 14.66. That seems like a VERY FAIR price for the album. Hell, I'd even go up to 17$ so they can recoup some of the expensive licensing costs. OMG How could I have forgotten, this particular press I was thinking about was actually 2700, not 1500. Let's change that. That brings our cost per album with the amazingly high quality jacket and the custom color down to 5.02 after shipping. They are selling this album at around 300% profit.

    At least with the new Jimmy Eat World Reissues it's a little more tolerable. Those records are 180 gram color vinyl with gatefold jackets and they are double LPs. The cost can't be determined because we do not know how many they are actually pressing. If they are pressing something like 3000 of each, which wouldn't be outside of the realm of thinking, it would cost around 9$ per 2xLP with all the PREMIUM UPGRADES. List price 31.99. Still around a 200% profit margin.

    Lets not forget, like all crazes we are taking something very cheap to produce and marking it up incredibly. Crazy bones, those were pieces of fucking plastic. Pokemon Cards, those we're pieces of cardboard with foil. Baseball cards just like Pokemon cards, some minus the foil. Vinyl records are just another craze. But I don't agree with Jason Tate. I don't feel okay paying 31.99 for an album. I feel okay paying 13-18$ and I can still do that with smaller labels like Red Scare, Asian Man, Dischord, Topshelf, and No Sleep (if I left you out I am sorry). I can still go to shows and pick up albums for 12$ from bands like Modern Baseball or The Hotelier. I can revel in the past when I bought 100$ worth of albums from Saddle Creek and I got a personal email from someone named Nate at the company thanking me for making such a big purchase. Or when my friend bought five or six albums from Red Scare and a special OOP surprise was included in her order.

    People are good at manufacturing rarity, rarity sells, that's why presses /100 or /300 sell out in a few hours. But people still buy the 2nd, 3rd, 4th, and 26th press of an album. So I hope the craze dies out, but I also hope that vinyl stays around.

    And just to let everyone know, when Shop Radio Cast or someone else represses Brand New's Deja Entendu /1500 on silver vinyl with a polaroid of Jesse's dick (hand numbered by Adam Lazarra (just playing dude)) I will still buy it for 100$. I'm just like everyone else that is feeding the craze. There are viable ways to keep cost of records down. I don't want fancy bullshit. I want a black 120-180 gram record that was mastered by someone who owns a fucking turntable.
     
    http://wordsturnstyles.tumblr.com
  24. Like
    turnstiles got a reaction from adam19 in Jason Tate: "Yes, vinyl prices are going up. No, I don't feel bad."   
    It has come to my attention that the average price of a record has gone up incrementally in the last two to three years. We have seen Hot Topic, Shop Radio Cast, Music on Vinyl and other companies buy the rights to albums to get them produced on vinyl for the first time or reissued. With this buying and selling of rights to music the price of the product has increased via these outlets. In an example look at the recent reissues of Blink 182's catalogue or the reissues of some of the early Mars Volta records. These records when they initially came out were much cheaper than they are now. Which leads me to say that vinyl is a craze. That is why the prices are going up. People that understand supply and demand have taken the artist out of the equation and bought up the rights to their music to make a profit. After all we do live in a capitalist society.

    I have a problem paying 31.99 for a record that can be manufactured for $12.25. I just do. I know that barely any of that ~200% profit is going to the artists that actually make the music. I understand that a record is something tangible and I do have to pay a premium for that at this point in time but where do we draw the line?

    The numbers do not lie. There are many vinyl pressing plants located in the United States that have specials on vinyl production. But lets not even look at the specials. Lets max out the possible amount of money one company can spend on getting something pressed. Keep in mind these are big companies with a lot of money to spend and a lot of money to gain. After all we are still buying the releases aren't we? For the example I am using I am going through United Record Pressing, a plant in Nashville Tennessee that presses most, if not all of Jack White's crazy releases. I am on their 12" record cost calculator. The first thing I do is change from a single LP option to 2XLP option, then I change the amount of records from 500 to 1500, lets be realistic, if a business can't sell 1500 units of something it isn't worth their initial investment. We increase the number to 1500 units, and I am changing the weight of the record from standard vinyl to 180 gram audiophile vinyl. I change the option from sending in a CD to emailing in WAV files, because a click is simpler than mailing a CD and we want a higher quality mix don't we? The next step I complete is the colored vinyl portion, everyone loves colored vinyl so it has to be colored, all 1500 on a custom color because if it isn't unique we won't buy it. Then we go to the labels, we don't want one plain color label, we want the upgrade. 2 colors. Now most people who press records might get their own jackets but since we're a big business and we want a one stop shop we're going to get our jackets from URpressing too. PREMIUM gatefold jackets. We are going to have the nice people at URpressing insert the records into our jackets and also offer a digital download and have them shrink-wrap our release. Now the total cost for the business is 17,355.00 without shipping. Let's be super generous and add 1000$ for shipping. So we're at 18,355.00 for 1500 records. That's 12.24 per 2XLP set. How do we justify the markup to 31.99? I can see purchasing this record with all the premium upgrades for 24.99 because lets be honest. There are a lot of upgrades most that are not even used in current represses. Those Hot Topic Blink 182 records are not 180 gram vinyl so let's subtract the 2980.00 Brings the price per unit with shipping down to 10.25 a 2XLP set. But wait, we aren't getting digital downloads and they don't have to put the digital downloads into the sleeves either, let's remove that 490.00 and that gets us down to 9.92 per 2xLP. Oh my God! You're telling me these blink 182 reissues are not 2xLPs? My bad! Let's reduce it down to 1xLP and see the cost. Wow! That brings our cost down to 7.31. But they are charging 19.99 for these in the store.

    Normal retail survives by marking things up 100% So let's do the normal retail thing and mark up our release 14.66. That seems like a VERY FAIR price for the album. Hell, I'd even go up to 17$ so they can recoup some of the expensive licensing costs. OMG How could I have forgotten, this particular press I was thinking about was actually 2700, not 1500. Let's change that. That brings our cost per album with the amazingly high quality jacket and the custom color down to 5.02 after shipping. They are selling this album at around 300% profit.

    At least with the new Jimmy Eat World Reissues it's a little more tolerable. Those records are 180 gram color vinyl with gatefold jackets and they are double LPs. The cost can't be determined because we do not know how many they are actually pressing. If they are pressing something like 3000 of each, which wouldn't be outside of the realm of thinking, it would cost around 9$ per 2xLP with all the PREMIUM UPGRADES. List price 31.99. Still around a 200% profit margin.

    Lets not forget, like all crazes we are taking something very cheap to produce and marking it up incredibly. Crazy bones, those were pieces of fucking plastic. Pokemon Cards, those we're pieces of cardboard with foil. Baseball cards just like Pokemon cards, some minus the foil. Vinyl records are just another craze. But I don't agree with Jason Tate. I don't feel okay paying 31.99 for an album. I feel okay paying 13-18$ and I can still do that with smaller labels like Red Scare, Asian Man, Dischord, Topshelf, and No Sleep (if I left you out I am sorry). I can still go to shows and pick up albums for 12$ from bands like Modern Baseball or The Hotelier. I can revel in the past when I bought 100$ worth of albums from Saddle Creek and I got a personal email from someone named Nate at the company thanking me for making such a big purchase. Or when my friend bought five or six albums from Red Scare and a special OOP surprise was included in her order.

    People are good at manufacturing rarity, rarity sells, that's why presses /100 or /300 sell out in a few hours. But people still buy the 2nd, 3rd, 4th, and 26th press of an album. So I hope the craze dies out, but I also hope that vinyl stays around.

    And just to let everyone know, when Shop Radio Cast or someone else represses Brand New's Deja Entendu /1500 on silver vinyl with a polaroid of Jesse's dick (hand numbered by Adam Lazarra (just playing dude)) I will still buy it for 100$. I'm just like everyone else that is feeding the craze. There are viable ways to keep cost of records down. I don't want fancy bullshit. I want a black 120-180 gram record that was mastered by someone who owns a fucking turntable.
     
    http://wordsturnstyles.tumblr.com
  25. Like
    turnstiles got a reaction from topshelfsquad in Jason Tate: "Yes, vinyl prices are going up. No, I don't feel bad."   
    Yo! Topshelf! I was talking strictly represses where everything else has already been shelled out for. I understand how much goes into making a record as far as recording; engineering, promotion etc. I was talking about reissues. Not back peddling, just saying I'm more aware than people think I am.
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