denovalirecords Posted May 14, 2017 Share Posted May 14, 2017 Hey. Almost one year after his debut LP „Feed The Tape“, Orson Hentschel enters new musical terrain wearing old shoes. His second LP Electric Stutter, which is almost 55 minutes long, is only loosely connected to his debut. Whereas Feed The Tape was strongly shaped by Classical Minimal Music, Hentschel now incorporates influences of Trip-Hop and Electronic Pop Music. PREORDER den280 | Notilus - S/t Cd | 12’’ | Digital den281 | Orson Hentschel – Electric Stutter Cd | 2x12’’ | Digital OUT NOW den277 | Paco Sala – The Silent Season Cd | 12’’ | Digital den278 | Ensemble Economique - In Silhouette Cd | 12’’ | Digital DENOVALI STORE NEWS The latest denovali online record store update includes the new Forest Swords (limited edition), new Slowdive, new Penguin Cafe, new Isis Live 2xLP, new Animal Collective 12’’, new Croatian Amor 12’’, Deathprod Vinyl Reissues, David Pritchard Reissue, Baby Woodrose Reissues & more · you can find the full list on the landing page of the denovali online record store. Thanks a lot. Denovali www.denovali.com/store www.denovali.com/digitalstore DENOVALI WORLD WIDE WEB www.denovali.com www.denovali.com/store www.denovali.com/digitalstore www.denovali.com/booking www.denovali.com/festival www.facebook.com/denovalirecords www.twitter.com/denovali www.denovali.bandcamp.com www.denovali.com/spotify www.instagram.com/denovali www.soundcloud.com/denovali www.youtube.com/user/denovalirecords ORSON HENTSCHEL · ELECTRIC STUTTER CD | 2x12’’ | DIGITAL Almost one year after his debut LP Feed The Tape, Orson Hentschel enters new musical terrain wearing old shoes. His second LP Electric Stutter, which is almost 55 minutes long, is only loosely connected to his debut. Whereas Feed The Tape was strongly shaped by Classical Minimal Music, Hentschel now incorporates influences of Trip-Hop and Electronic Pop Music. Since his childhood, he considers artists like Massive Attack, Portishead and Björk as some of his most important sources of inspiration. The influence of this kind of popular music is clearly audible. Hentschel’s new tracks are shorter, more shaped and reduced in the density of their sound material. Pattern-oriented repetitions, which where in the focus of Feed The Tape, now fulfil the function of sophisticated sub-components of the overall composition and are subordinate to the melodic forms or merge with them. Also the amount of sample-based material has decreased in order to create space for synthetically produced sounds with melodic character. Electric Stutter is more complex and more detailed than Feed The Tape. At the same time the reduced density of sound material and the higher amount of melodies form a kind of music that is more easily accessible. Whereas the Düsseldorf-based composer started off with classical piano, he by now concentrates on electronic and experimental music and film compositions. Even though Hentschel has experienced a classical education, his composition techniques are anything but traditional. His creative starting point is rarely rooted in musical ideas, but consists of finding appropriate sound material. His sources are diverse: sounds and samples like soundtracks, film sounds, music albums or internet findings encounter polyphonic vocal-music from the 14th century and composition techniques of Minimal Music such as Steve Reich. In his compositions Hentschel draws a cross-section through the history of music and its genres in order to form his own musical expression. Considering his studies of music science in Düsseldorf and previously in Vienna and Dresden, his musical time-jumps appear less surprising. Describing Orson Hentschel only as a composer of contemporary music does not do him justice. In his self-conception as an audio-visual artist he creates his own live show, combining lights, visuals and fog to a stunning atmosphere, which cannot be eluded. Supported by live-drummer Lukas Baumgart, Hentschel delivers a sound, whose energy is physically palpable and electrifies the audience. A live-show generating an intense experience, going to the limit and erasing any sense of time. Orson Hentschel moves perceptions not merely through sheer volume, but with driving repetitions and extensive tension. · Facebook: www.facebook.com/orsonhentschel · Listen: www.denovali.com/orsonhentschel · Download: www.denovali.com/digitalstore Vinyl · thick glossy gatefold sleeves + black polylined inner sleeves + 180g vinyl · limited edition: 150 x silver vinyl · download code · price: 22.00 Euro Cd · digipak packaging · price: 13.00 Euro CURRENT RELEASES den266 | Petrels - Jörð den267 | Franz Kirmann - Elysian Park den268 | Fogh Depot - Turmalinturm den269 | Subheim - Trails den271 | Paco Sala - Ko Yo den272 | Elektro Guzzi - Parade den273 | Blueneck - The Outpost den274 | Mike Vallera - Vivid Flu den275 | Matthew Collings + Dag Rosenqvist - Hello Darkness den276 | Multicast Dynamics - Continental Ruins den277 | Paco Sala - The Silent Season den278 | Ensemble Economique - In Silhouette den279 | Subheim + Monolog – Conviction den280 | Notilus - S/t den281 | Orson Hentschel – Electric Stutter THE EYE OF TIME · SUMMER 2017 TOUR 01.06.17 Le Mans (fr) - House show 02.06.17 Lyon (fr) - Grrnd Zero 03.06.17 Geneva (ch) - La Reliure 04.06.17 Neuchâtel (ch) - La Prise 05.06.17 Leipzig (ger) - Wave Gotik Treffen 06.06.17 Praha (cz) - Klubovna 07.06.17 Chemnitz (ger) - ODRADEK 08.06.17 Wuppertal (ger) - Galerie Grölle 09.06.17 Lille (fr) - Caf&diskaire 10.06.17 Caen (fr) - Le Cargo Quote Link to comment Share on other sites More sharing options...
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