Jump to content

brammyg

Members
  • Posts

    1,335
  • Joined

  • Last visited

  • Feedback

    0%

Posts posted by brammyg

  1. A couple months back I bought the Sire reissue of Tim. Today I was browsing around and picked up a pretty cheap (what I believe to be) original pressing. I was just wondering if you guys noticed any sound quality differences between original Replacements presses and the new reissues.

  2. I think my only argument with Skrillex doing this as a "moneymaker" is he's been under the Skrillex name for years, when this whole dupstepy trend wasn't anything in North America yet...I think since he left FFTL

    From what I remember after he left FFTL he went under "Sonny" which sounded similar to Matt Skiba's Demos album. That didn't really pan out and he restarted as "Skrillex" and tweaked his music. He continued as a band while occasionally djing until 2009 when he went full on with Skrillex.

    Ah...whatever

  3. "Shakedown Street"

    - Enjoy Thursday, way smaller crowds than the rest of the days.

    - If you want to see stuff in the comedy tent you have to go early that morning to pick up tickets. They are free, but you have to get them early.

    - You are going to miss stuff, don't fret

    - Bassnectar and STS9 killed at the festival I was at two weeks ago.

    - Take Molly.

    All of these tips will be noted. Thank you!

  4. I agree with a bunch of you, don't get the hype around this band. I get that they were going for an overblown/loud sound, but I can't figure out why any band would CHOOSE to do that. I'm seeing them at Bonnaroo soon, I guess I'll postpone my ultimate judgement until then.

    Jack White does the "overblown/loud sound" all the time and I don't see anyone complaining about that

    Jack White also records everything to analog tape. You can't possibly compare his style to what Sleigh Bells are doing.

  5. In about 1994 I went to see a band called Smash Mouth (eventual members of Cursive, not the pop band) at a club called the Cog Factory in Omaha. I bought their cassette when one of the band members came around selling them, it was on a label called Lumberjack records, and it was pretty so-so, but I kept listening to it and started liking it. About 4 years later the tape broke by coming unattached from the wheel on the inside, so I sent it to the address on the cassette with a couple bucks to try to get a new one, fully expecting the label to be no more (as was mailorder before the internet), and to never hear of it again. About a month later, I got a new tape, with a 3 page handwritten letter saying that they apologize for the quality of their cassettes, and then just talking about their favorite bands and stuff I should check out. Lumberjack became Saddle Creek eventually, and I have been ordering from them ever since. Always great sounding, great artwork, and well packaged.

    Cool story. Seriously, I love hearing music history bits like this (no sarcasm is intended in this post).

  6. I wanted to to love this album. I really did. But I'm agreeing with a bunch of you in that it's just not that great of an album. It seems like people/blogs/magazines giving attention to the kid are more fascinated with the Tyler/OFWGKTA story and not realizing the possible impact some of his lyrics may begin to have by publicizing them so heavily. I knew it was only a matter of time before someone would speak out against him. This should be interesting...

×

AdBlock Detected

spacer.png

We noticed that you're using an adBlocker

Yes, I'll whitelist