vacumecleanerman

Yeah, the turntable, 12" and 7." Not nearly as good as my turntable but it will make good in my spare room for sexy nights with the ladies under the sheets.
Or a good Xmas gift. Im stoked though!

this box set is the silliest thing i've seen in a long time

lol, best comment of the day

There are some good points and definitely some misinformation going on here. But, because vinyl varies so much in weight, color, shape, etc, it really comes down to your experience and what you prefer.
One of the major selling points of 'audiophile' 180 gram vinyl is that it is virgin vinyl, meaning not recycled. This allows for quietest noise floor.
I certainly prefer a 180 gram record for warp resistance and so forth, but a poorly mastered or pressed record will sound poor no matter what kind of vinyl it's on.

That's about right. The "audiophile" and "180 gram" thing is becoming a bit of a marketing tool. THough most 180 gram pressingare i my opinion are better from my experience. It jueust seems to have a better, more full/ solid sound. Lighter vinyl can definetely suind pretty good too so it's not a deciding factor.
I would also think that if a band / label were to press something on 180g (More money) they would be putting more effort in the actual mastering / editing.
It also matters who mixes the the recording. Is it "Master from original analog tpape" and by whome. I don't know names of who are good but most 180 gram true repress (Remastered from og tapes) i have are amazing. What mainly comes to mind is the new pressing of pInk Floyd's Wall, Wish you Were HEre, and Dark Side of the moon. The reveiws are off the chart on those things.
I bought Wish You Were Here for 28$ at Hot Topic cause i was itchin for a vinyl fix. When spun theat haevy peice of wax it blew my mind the clarity, "soundstage" as they call, and the surface is so freekin quite. I quickly understood why it cost my near 30$ (Also included some super heavy stock sleaves, poster, postcrd, download car). I then did some research on why it was so damn good. I found the reviews saying "Re mastered from original analog tapes" "Dead silent surface noise" "high quality german vinyl" which was pressed at the EMI plant i beleive. So that summed it up.
I Then bought The Wall (Frikin expesive) and am not disapointed at all. Worth every penny if you're gonna keep this in excellent shape and blow your friends (The ones that aren;t too cool for Floy) and parents (My dad couldn.t beleive he was hearing such goodness< he sad "Man, this just sounds so damn good") and i have gotten many compliments on my setup (Which i return to say "it's really the vinyl" even though i got a pretty good setup. polk monitor 70s (100 watt's per channel and fake bi-amped out of my Onkyo receiver, and Klipsch RW 12".)
I am waiting for Hot Topic Cash to get Dark Side (I have the 25th anniversy edistion and can only imagine the difference, based on Wall and Shine). To get it at a steal.
Also, i wam pretty dissapointed on my flimsy Tomahawk vinyl where it probably is aroun 100 grams and the holes had to by cdug out with my knifr to fit the record player. And the bass less songs on their newest alsbumb. The CD makes my system go BOOM but the vinyl falls flat. Very disspointed. BS. Maybe mike patton is so in the digital age there's no point in trying to put his stuff on vinyl, hence why you don't see much. (Totally fine with that)
Also, neil youg does some insane quality, and pricey, represses. Then new Sixto Repress is pretty darn good too, especially for 18.99 from my local record store.
There seems to be the just put it on vinyl and color some copies and the kids will buy it crowd, and then the i want it mastered for vinyl and good quality crowd. I used to be obsessed with collecting and colors and what not but since i've got a good table and system i would much rather have my 180g black copy. I've been selling colored copies of NOFX for hundred, turn around and buy it baclk on black plus a few more records. I love it!
Well sorry for rambling. And no spell check
I

That's about right. The "audiophile" and "180 gram" thing is becoming a bit of a marketing tool. THough most 180 gram pressingare i my opinion are better from my experience. It jueust seems to have a better, more full/ solid sound. Lighter vinyl can definetely suind pretty good too so it's not a deciding factor.
I would also think that if a band / label were to press something on 180g (More money) they would be putting more effort in the actual mastering / editing.
It also matters who mixes the the recording. Is it "Master from original analog tpape" and by whome. I don't know names of who are good but most 180 gram true repress (Remastered from og tapes) i have are amazing. What mainly comes to mind is the new pressing of pInk Floyd's Wall, Wish you Were HEre, and Dark Side of the moon. The reveiws are off the chart on those things.
I bought Wish You Were Here for 28$ at Hot Topic cause i was itchin for a vinyl fix. When spun theat haevy peice of wax it blew my mind the clarity, "soundstage" as they call, and the surface is so freekin quite. I quickly understood why it cost my near 30$ (Also included some super heavy stock sleaves, poster, postcrd, download car). I then did some research on why it was so damn good. I found the reviews saying "Re mastered from original analog tapes" "Dead silent surface noise" "high quality german vinyl" which was pressed at the EMI plant i beleive. So that summed it up.
I Then bought The Wall (Frikin expesive) and am not disapointed at all. Worth every penny if you're gonna keep this in excellent shape and blow your friends (The ones that aren;t too cool for Floy) and parents (My dad couldn.t beleive he was hearing such goodness< he sad "Man, this just sounds so damn good") and i have gotten many compliments on my setup (Which i return to say "it's really the vinyl" even though i got a pretty good setup. polk monitor 70s (100 watt's per channel and fake bi-amped out of my Onkyo receiver, and Klipsch RW 12".)
I am waiting for Hot Topic Cash to get Dark Side (I have the 25th anniversy edistion and can only imagine the difference, based on Wall and Shine). To get it at a steal.
Also, i wam pretty dissapointed on my flimsy Tomahawk vinyl where it probably is aroun 100 grams and the holes had to by cdug out with my knifr to fit the record player. And the bass less songs on their newest alsbumb. The CD makes my system go BOOM but the vinyl falls flat. Very disspointed. BS. Maybe mike patton is so in the digital age there's no point in trying to put his stuff on vinyl, hence why you don't see much. (Totally fine with that)
Also, neil youg does some insane quality, and pricey, represses. Then new Sixto Repress is pretty darn good too, especially for 18.99 from my local record store.
There seems to be the just put it on vinyl and color some copies and the kids will buy it crowd, and then the i want it mastered for vinyl and good quality crowd. I used to be obsessed with collecting and colors and what not but since i've got a good table and system i would much rather have my 180g black copy. I've been selling colored copies of NOFX for hundred, turn around and buy it baclk on black plus a few more records. I love it!
Well sorry for rambling. And no spell check
I