xjustinxschwierx

Hey folks, Here's the updates We've had a few unplanned delays... the first one was that the art files for these records no longer exist, and the restoration/recreation took a bit more time than expected. But they've all been taken care of now and look better than ever. we even un-stretched the photo of Mike Park from the cover of the Bruce Lee Band album! (see below) Also getting all the bonus tracks nailed down/agreed upon, getting the Stubborn All Starts record entirely re-mastered from the original tracks, and just getting everything cleared with bands on tour/day jobs etc took a while longer than expected. The largest annoyance has been the result of the mass represses of major label records from Record store day... if you collect vinyl you know that everything that was supposed to come out in the last few months seemed to have been effected. We're still a little while off on these being completed, but progress is being made, and we'll be able to post updates more frequently. We apologize for the delay, but be assured we want to deliver you guys the best possible product, and do these great albums justice.. and it's hard to post updates when there isn't much to say beyond, we're waiting for approval on these. - Flood & Justin

it'll be hilarious/amazing if McCartney comes out of the gates and is screaming and does Nirvana songs justice.

RE: Young Turks "Where I Lie" Suicide File comparison peaked my interest...the album is streaming here: http://www.punknews.org/bands/youngturks pretty good, def hear the SF influence.

"I like the Beatles, but I hate Paul McCartney" - Kurt Cobain As quoted in The NIRVANA Reader: 1988 – 1992 (Published December 2008)

bumpage - all PO's until Friday 12/14 go in a drawing to win a test pressing!!!

if you get me a design in the next half hour I can make them tonight. [email protected]

Now you understand what it's like to run a record label in 2012.

depends on the deal, generally I was speaking of giving the bands and/or label 10% of the actual copies of the records. *********************************** also, totally untrelated note: in case it's never said been in here, if you're doing a 7" there will basically be $0 in profits unless you either sell more than a 1000 copies instantly or you're charging $8 each.

ordered the shit out of this...giving that Atlas Shrugged 7" a chance too

First concert not at like a county fair type setting was seeing Yes on the Union tour at the Rosemont Horizon. That was the tour they had 2 drummers, 2 keyboardists, 3 guitar players and then Jon Anderson and Chris Squire. prior to that I'd seeing like the Grass Roots, Tommy James and the Shondells, Eddie Money, maybe Kansas at said fairground shows.

I'll be damned! PLEASE NOTE: THIS IS A PRE-ORDER! The 7"s are in my house, but the covers won't be delivered until either 12/8/2012 or 12/10/2012 Also, all orders between 12/7/2012 and 12/14/2012 are put in a raffle contest to win a test pressing! Our split 7″ between Detroit’s Break Anchor and Toledo’s Unsinkable Molly Brown is a face melter for sure! Can pop punk melt your face? Yes. Break Anchor’s tunes are their best yet – in case you hadn’t heard, this is Jay from Hellmouth / Suicide Machines’ new band too!! Unsinkable Molly Brown’s songs are our first exposure to them and they’re fucking rad! ‘Org-core from Ohio...so if you’re into Small Brown Bike, Hot Water Music, etc…you’re gonna have a new band to love! blue and white vinyl are both /265 exactly http://undercomm.sto...newest-releases

i have an extra Horace Pinker "Local State inertia" download if anyone wants it, PM me.

I will have a table at this, so will Jordan from Residue Records!

added them to my version of the OG post on my website...going to change the original post to being just a link to that page as I can only really keep up with updating one of them

sounds more like a pitch control issue

i live in Lincoln Square and it's great, comparable to Ravenswood, as they're neighboring neighborhoods. Good rule of thumb is the 'hoods following the Brown Line are generally nicer, quiet, clean and safe. Logan Square, while gentrifying is still somewhat of a shit-hole. expect to get robbed. If you don't, honestly be pleasantly surprised. Andersonville is historically one of the gay neighborhoods of Chicago (unofficially known as "Girls Town") so it's clean, safe and generally very pleasant, lots of culture. I lived there when I first moved to the city and it's only gotten better, Wrigleyville is a nightmare, avoid at all costs. Lakeview, the proper name of Wrigleyville is "Boys Town". If you're dead set on living in the area, look west of Clark St. Expect to live in parking hell though. Wicker Park is crowded and loud and basically sucks. Ukranian Village is nice, Roger's PArk on the far northside has ok spots, but should be avoided as well. Don't move anywhere near Humboldt Park. Ever.

They play periodically in Detroit.

on a slightly related note I'm doing a record for a band called Young Light that feature's Giant Drag's (ex?) drummer Micah Calabrese.

Joe if you need help making those covers, let me know.

when i met him a few weeks ago I should have hounded him about it, but we were the last people to talk to him and he was so exhausted he could barely stand....plus it was Rollins so I was super fucking intimidated to be around him. That has never changed whenever I've seen him.

I screen printed the MLIW live on WERS and the Holy Fever s/t 7" covers! Joe rules, buy this stuff!

stoked about this! i wish they'd press the Come in and Burn complete session, but that would probably be a 4xLP

fixed!

http://henryrollins...._source=mtemail In February of 1991, my bandmates and I sought to the demo songs we had been working on for several months. We went in, played all the songs we had with the arrangements and lyrics such as they were at the time, put a few over dubs on, mixed it to a cassette and were done with it. In October of that year, we would record what became the actual End Of Silence album. Many years later, I contacted my engineer pal Cliff Norrell to see if he would give the tapes a more considered mix, thinking that it would perhaps be a good release of unheard music. We mixed the songs and they sounded pretty damn good. We released the tracks on CD and were done with the project. Several months ago, I got to thinking that perhaps some people would appreciate a vinyl version of these songs. The tapes had been in storage and well kept. I brought them to Oasis Mastering in Burbank, California to give them a listen and to see if it would be a legitimate endeavor. We listened down to the tapes and again, they sounded good and so we went forth and mastered all the tracks. After listening to these songs again after all these years, it reminded me of how good that line up was and how lean and mean the demos sounded. I came to the conclusion that I preferred the demos to the actual album. Hell, we should have just released the demos and saved everyone a bunch of time and trouble. (1HLP02)

Not Me!