Kermit

Talk about Moonshake complaining about inconsistencies, he couldn't be any less humble if he tried.
 
About the Pokemon record: 'The most annoying being that they list the record is $50, which I did not authorize them to do whatsoever'
Just like GAME FREAK (who have legal digital music here) didn't authorize you to sell in the first place, right.
 
'I do not and have NEVER done this for money whatsoever'
Sure thing, I'm sure it was all going to the Mega Man and Zelda composers from the very start, right.
 
'not shitty vinyl “collectors” that buy records only as trophies to show off to other collectors.'
Half your audience mate.
 
'If all I cared about was ripping off nerds, I could just infinitely repress the mega man 2 or Zelda albums.'
Or you could bootleg a load of other releases.
 
'But Im not trying to be a business.'
Good luck with that Snatcher license.
 
'you can see how many labels have quickly popped up after me'
Ignoring the hundreds of game records released before him.
 
'uninspired soundtrack album design that’s generic as hell' 
Reference to his own bad album art.
 
'though for the record there are still labels like Iam8bit and datadiscs do awesome quality work and everyone should support them'
I'm sure they totally respect what all the hard work Moonshake does too.
 
Ninja Gaiden is coming out? I don't think Keiji Yamagishi/Brave Wave would be very happy about that (who they work closely with) at least they work directly with the original artists, do people actually believe he's sending all that profit from the Pokemon records to Junichi Masuda? Why such the big deal, it's half-ass work made out to be some glorious bootleg revolution. You can't make up excuses until you at least try attempt going legit, and asking your mailing list for lawyer help doesn't make it any easier.

Talk about Moonshake complaining about inconsistencies, he couldn't be any less humble if he tried.
 
About the Pokemon record: 'The most annoying being that they list the record is $50, which I did not authorize them to do whatsoever'
Just like GAME FREAK (who have legal digital music here) didn't authorize you to sell in the first place, right.
 
'I do not and have NEVER done this for money whatsoever'
Sure thing, I'm sure it was all going to the Mega Man and Zelda composers from the very start, right.
 
'not shitty vinyl “collectors” that buy records only as trophies to show off to other collectors.'
Half your audience mate.
 
'If all I cared about was ripping off nerds, I could just infinitely repress the mega man 2 or Zelda albums.'
Or you could bootleg a load of other releases.
 
'But Im not trying to be a business.'
Good luck with that Snatcher license.
 
'you can see how many labels have quickly popped up after me'
Ignoring the hundreds of game records released before him.
 
'uninspired soundtrack album design that’s generic as hell' 
Reference to his own bad album art.
 
'though for the record there are still labels like Iam8bit and datadiscs do awesome quality work and everyone should support them'
I'm sure they totally respect what all the hard work Moonshake does too.
 
Ninja Gaiden is coming out? I don't think Keiji Yamagishi/Brave Wave would be very happy about that (who they work closely with) at least they work directly with the original artists, do people actually believe he's sending all that profit from the Pokemon records to Junichi Masuda? Why such the big deal, it's half-ass work made out to be some glorious bootleg revolution. You can't make up excuses until you at least try attempt going legit, and asking your mailing list for lawyer help doesn't make it any easier.

Talk about Moonshake complaining about inconsistencies, he couldn't be any less humble if he tried.
 
About the Pokemon record: 'The most annoying being that they list the record is $50, which I did not authorize them to do whatsoever'
Just like GAME FREAK (who have legal digital music here) didn't authorize you to sell in the first place, right.
 
'I do not and have NEVER done this for money whatsoever'
Sure thing, I'm sure it was all going to the Mega Man and Zelda composers from the very start, right.
 
'not shitty vinyl “collectors” that buy records only as trophies to show off to other collectors.'
Half your audience mate.
 
'If all I cared about was ripping off nerds, I could just infinitely repress the mega man 2 or Zelda albums.'
Or you could bootleg a load of other releases.
 
'But Im not trying to be a business.'
Good luck with that Snatcher license.
 
'you can see how many labels have quickly popped up after me'
Ignoring the hundreds of game records released before him.
 
'uninspired soundtrack album design that’s generic as hell' 
Reference to his own bad album art.
 
'though for the record there are still labels like Iam8bit and datadiscs do awesome quality work and everyone should support them'
I'm sure they totally respect what all the hard work Moonshake does too.
 
Ninja Gaiden is coming out? I don't think Keiji Yamagishi/Brave Wave would be very happy about that (who they work closely with) at least they work directly with the original artists, do people actually believe he's sending all that profit from the Pokemon records to Junichi Masuda? Why such the big deal, it's half-ass work made out to be some glorious bootleg revolution. You can't make up excuses until you at least try attempt going legit, and asking your mailing list for lawyer help doesn't make it any easier.

BRIEF HISTORY
 
- Moonshake starts with good intentions, Mega Man 2 record produced, receives a lot of attention, more profit potential. Small project for music that at the time we never thought we would see on vinyl. Generally a dick to people on the internet, huge ego.
 
- Gains a lot of attention, creates a big Zelda run, no intention of giving any composers money, people begin questioning him. Outlines his upcoming releases, continues to act like a dick.
 
- Receives a lot of negative attention, Ship to Shore realizes he's using a licensed Mother track on the upcoming NES release, they ask for him to remove it, Moonshake doesn't comply. Goes ahead and plays the victim card, changes his tone, suddenly all his profit now goes to the original artist/charity so he isn't the bad guy.
 
- Gains even more attention, goes forward with Castlevania and NES Greatest Hits releases, outlines his next Pokemon release, rants on his mailing list, empty promises of licensing releases and handing his profit to the composers. Continues to play the victim card, claims people are treating him unfairly and rants about how other companies don't give a penny to the composers.
 
- Releases Pokemon, receives even more attention, continues to play the victim card, no word on money to composers, no luck in getting licenses, claims there is a troll man-hunt, continues his inflated 'I'm a miracle' attitude.
 
I had no problem with Sean's project at the beginning but he's inflated this whole thing with his ego even though none of what he is doing is his own work, he has mislead his fans and has only shaped his intentions when he was put on the spot. The work I've seen every other company who releasing game music takes a lot more effort and practically does a lot more hard work than he has ever done. DataDiscs releases are tributes to the game with official art, everything represented perfectly, yet Moonshake's releases are generally just a tribute to himself.

BRIEF HISTORY
 
- Moonshake starts with good intentions, Mega Man 2 record produced, receives a lot of attention, more profit potential. Small project for music that at the time we never thought we would see on vinyl. Generally a dick to people on the internet, huge ego.
 
- Gains a lot of attention, creates a big Zelda run, no intention of giving any composers money, people begin questioning him. Outlines his upcoming releases, continues to act like a dick.
 
- Receives a lot of negative attention, Ship to Shore realizes he's using a licensed Mother track on the upcoming NES release, they ask for him to remove it, Moonshake doesn't comply. Goes ahead and plays the victim card, changes his tone, suddenly all his profit now goes to the original artist/charity so he isn't the bad guy.
 
- Gains even more attention, goes forward with Castlevania and NES Greatest Hits releases, outlines his next Pokemon release, rants on his mailing list, empty promises of licensing releases and handing his profit to the composers. Continues to play the victim card, claims people are treating him unfairly and rants about how other companies don't give a penny to the composers.
 
- Releases Pokemon, receives even more attention, continues to play the victim card, no word on money to composers, no luck in getting licenses, claims there is a troll man-hunt, continues his inflated 'I'm a miracle' attitude.
 
I had no problem with Sean's project at the beginning but he's inflated this whole thing with his ego even though none of what he is doing is his own work, he has mislead his fans and has only shaped his intentions when he was put on the spot. The work I've seen every other company who releasing game music takes a lot more effort and practically does a lot more hard work than he has ever done. DataDiscs releases are tributes to the game with official art, everything represented perfectly, yet Moonshake's releases are generally just a tribute to himself.

Talk about Moonshake complaining about inconsistencies, he couldn't be any less humble if he tried.
 
About the Pokemon record: 'The most annoying being that they list the record is $50, which I did not authorize them to do whatsoever'
Just like GAME FREAK (who have legal digital music here) didn't authorize you to sell in the first place, right.
 
'I do not and have NEVER done this for money whatsoever'
Sure thing, I'm sure it was all going to the Mega Man and Zelda composers from the very start, right.
 
'not shitty vinyl “collectors” that buy records only as trophies to show off to other collectors.'
Half your audience mate.
 
'If all I cared about was ripping off nerds, I could just infinitely repress the mega man 2 or Zelda albums.'
Or you could bootleg a load of other releases.
 
'But Im not trying to be a business.'
Good luck with that Snatcher license.
 
'you can see how many labels have quickly popped up after me'
Ignoring the hundreds of game records released before him.
 
'uninspired soundtrack album design that’s generic as hell' 
Reference to his own bad album art.
 
'though for the record there are still labels like Iam8bit and datadiscs do awesome quality work and everyone should support them'
I'm sure they totally respect what all the hard work Moonshake does too.
 
Ninja Gaiden is coming out? I don't think Keiji Yamagishi/Brave Wave would be very happy about that (who they work closely with) at least they work directly with the original artists, do people actually believe he's sending all that profit from the Pokemon records to Junichi Masuda? Why such the big deal, it's half-ass work made out to be some glorious bootleg revolution. You can't make up excuses until you at least try attempt going legit, and asking your mailing list for lawyer help doesn't make it any easier.

These had some of the worst artwork on vinyl releases almost ever.

Talk about Moonshake complaining about inconsistencies, he couldn't be any less humble if he tried.
 
About the Pokemon record: 'The most annoying being that they list the record is $50, which I did not authorize them to do whatsoever'
Just like GAME FREAK (who have legal digital music here) didn't authorize you to sell in the first place, right.
 
'I do not and have NEVER done this for money whatsoever'
Sure thing, I'm sure it was all going to the Mega Man and Zelda composers from the very start, right.
 
'not shitty vinyl “collectors” that buy records only as trophies to show off to other collectors.'
Half your audience mate.
 
'If all I cared about was ripping off nerds, I could just infinitely repress the mega man 2 or Zelda albums.'
Or you could bootleg a load of other releases.
 
'But Im not trying to be a business.'
Good luck with that Snatcher license.
 
'you can see how many labels have quickly popped up after me'
Ignoring the hundreds of game records released before him.
 
'uninspired soundtrack album design that’s generic as hell' 
Reference to his own bad album art.
 
'though for the record there are still labels like Iam8bit and datadiscs do awesome quality work and everyone should support them'
I'm sure they totally respect what all the hard work Moonshake does too.
 
Ninja Gaiden is coming out? I don't think Keiji Yamagishi/Brave Wave would be very happy about that (who they work closely with) at least they work directly with the original artists, do people actually believe he's sending all that profit from the Pokemon records to Junichi Masuda? Why such the big deal, it's half-ass work made out to be some glorious bootleg revolution. You can't make up excuses until you at least try attempt going legit, and asking your mailing list for lawyer help doesn't make it any easier.

BRIEF HISTORY
 
- Moonshake starts with good intentions, Mega Man 2 record produced, receives a lot of attention, more profit potential. Small project for music that at the time we never thought we would see on vinyl. Generally a dick to people on the internet, huge ego.
 
- Gains a lot of attention, creates a big Zelda run, no intention of giving any composers money, people begin questioning him. Outlines his upcoming releases, continues to act like a dick.
 
- Receives a lot of negative attention, Ship to Shore realizes he's using a licensed Mother track on the upcoming NES release, they ask for him to remove it, Moonshake doesn't comply. Goes ahead and plays the victim card, changes his tone, suddenly all his profit now goes to the original artist/charity so he isn't the bad guy.
 
- Gains even more attention, goes forward with Castlevania and NES Greatest Hits releases, outlines his next Pokemon release, rants on his mailing list, empty promises of licensing releases and handing his profit to the composers. Continues to play the victim card, claims people are treating him unfairly and rants about how other companies don't give a penny to the composers.
 
- Releases Pokemon, receives even more attention, continues to play the victim card, no word on money to composers, no luck in getting licenses, claims there is a troll man-hunt, continues his inflated 'I'm a miracle' attitude.
 
I had no problem with Sean's project at the beginning but he's inflated this whole thing with his ego even though none of what he is doing is his own work, he has mislead his fans and has only shaped his intentions when he was put on the spot. The work I've seen every other company who releasing game music takes a lot more effort and practically does a lot more hard work than he has ever done. DataDiscs releases are tributes to the game with official art, everything represented perfectly, yet Moonshake's releases are generally just a tribute to himself.

BRIEF HISTORY
 
- Moonshake starts with good intentions, Mega Man 2 record produced, receives a lot of attention, more profit potential. Small project for music that at the time we never thought we would see on vinyl. Generally a dick to people on the internet, huge ego.
 
- Gains a lot of attention, creates a big Zelda run, no intention of giving any composers money, people begin questioning him. Outlines his upcoming releases, continues to act like a dick.
 
- Receives a lot of negative attention, Ship to Shore realizes he's using a licensed Mother track on the upcoming NES release, they ask for him to remove it, Moonshake doesn't comply. Goes ahead and plays the victim card, changes his tone, suddenly all his profit now goes to the original artist/charity so he isn't the bad guy.
 
- Gains even more attention, goes forward with Castlevania and NES Greatest Hits releases, outlines his next Pokemon release, rants on his mailing list, empty promises of licensing releases and handing his profit to the composers. Continues to play the victim card, claims people are treating him unfairly and rants about how other companies don't give a penny to the composers.
 
- Releases Pokemon, receives even more attention, continues to play the victim card, no word on money to composers, no luck in getting licenses, claims there is a troll man-hunt, continues his inflated 'I'm a miracle' attitude.
 
I had no problem with Sean's project at the beginning but he's inflated this whole thing with his ego even though none of what he is doing is his own work, he has mislead his fans and has only shaped his intentions when he was put on the spot. The work I've seen every other company who releasing game music takes a lot more effort and practically does a lot more hard work than he has ever done. DataDiscs releases are tributes to the game with official art, everything represented perfectly, yet Moonshake's releases are generally just a tribute to himself.

BRIEF HISTORY
 
- Moonshake starts with good intentions, Mega Man 2 record produced, receives a lot of attention, more profit potential. Small project for music that at the time we never thought we would see on vinyl. Generally a dick to people on the internet, huge ego.
 
- Gains a lot of attention, creates a big Zelda run, no intention of giving any composers money, people begin questioning him. Outlines his upcoming releases, continues to act like a dick.
 
- Receives a lot of negative attention, Ship to Shore realizes he's using a licensed Mother track on the upcoming NES release, they ask for him to remove it, Moonshake doesn't comply. Goes ahead and plays the victim card, changes his tone, suddenly all his profit now goes to the original artist/charity so he isn't the bad guy.
 
- Gains even more attention, goes forward with Castlevania and NES Greatest Hits releases, outlines his next Pokemon release, rants on his mailing list, empty promises of licensing releases and handing his profit to the composers. Continues to play the victim card, claims people are treating him unfairly and rants about how other companies don't give a penny to the composers.
 
- Releases Pokemon, receives even more attention, continues to play the victim card, no word on money to composers, no luck in getting licenses, claims there is a troll man-hunt, continues his inflated 'I'm a miracle' attitude.
 
I had no problem with Sean's project at the beginning but he's inflated this whole thing with his ego even though none of what he is doing is his own work, he has mislead his fans and has only shaped his intentions when he was put on the spot. The work I've seen every other company who releasing game music takes a lot more effort and practically does a lot more hard work than he has ever done. DataDiscs releases are tributes to the game with official art, everything represented perfectly, yet Moonshake's releases are generally just a tribute to himself.

About the Pokemon record: 'The most annoying being that they list the record is $50, which I did not authorize them to do whatsoever'
Just like GAME FREAK (who have legal digital music here) didn't authorize you to sell in the first place, right.
 
'I do not and have NEVER done this for money whatsoever'
Sure thing, I'm sure it was all going to the Mega Man and Zelda composers from the very start, right.
 
'not shitty vinyl “collectors” that buy records only as trophies to show off to other collectors.'
Half your audience mate.
 
'If all I cared about was ripping off nerds, I could just infinitely repress the mega man 2 or Zelda albums.'
Or you could bootleg a load of other releases.
 
'But Im not trying to be a business.'
Good luck with that Snatcher license.
 
'you can see how many labels have quickly popped up after me'
Ignoring the hundreds of game records released before him.
 
'uninspired soundtrack album design that’s generic as hell' 
Reference to his own bad album art.
 
'though for the record there are still labels like Iam8bit and datadiscs do awesome quality work and everyone should support them'
I'm sure they totally respect what all the hard work Moonshake does too.
 
Ninja Gaiden is coming out? I don't think Keiji Yamagishi/Brave Wave would be very happy about that (who they work closely with) at least they work directly with the original artists, do people actually believe he's sending all that profit from the Pokemon records to Junichi Masuda? Why such the big deal, it's half-ass work made out to be some glorious bootleg revolution. You can't make up excuses until you at least try attempt going legit, and asking your mailing list for lawyer help doesn't make it any easier.

Talk about Moonshake complaining about inconsistencies, he couldn't be any less humble if he tried.
 
About the Pokemon record: 'The most annoying being that they list the record is $50, which I did not authorize them to do whatsoever'
Just like GAME FREAK (who have legal digital music here) didn't authorize you to sell in the first place, right.
 
'I do not and have NEVER done this for money whatsoever'
Sure thing, I'm sure it was all going to the Mega Man and Zelda composers from the very start, right.
 
'not shitty vinyl “collectors” that buy records only as trophies to show off to other collectors.'
Half your audience mate.
 
'If all I cared about was ripping off nerds, I could just infinitely repress the mega man 2 or Zelda albums.'
Or you could bootleg a load of other releases.
 
'But Im not trying to be a business.'
Good luck with that Snatcher license.
 
'you can see how many labels have quickly popped up after me'
Ignoring the hundreds of game records released before him.
 
'uninspired soundtrack album design that’s generic as hell' 
Reference to his own bad album art.
 
'though for the record there are still labels like Iam8bit and datadiscs do awesome quality work and everyone should support them'
I'm sure they totally respect what all the hard work Moonshake does too.
 
Ninja Gaiden is coming out? I don't think Keiji Yamagishi/Brave Wave would be very happy about that (who they work closely with) at least they work directly with the original artists, do people actually believe he's sending all that profit from the Pokemon records to Junichi Masuda? Why such the big deal, it's half-ass work made out to be some glorious bootleg revolution. You can't make up excuses until you at least try attempt going legit, and asking your mailing list for lawyer help doesn't make it any easier.

About the Pokemon record: 'The most annoying being that they list the record is $50, which I did not authorize them to do whatsoever'
Just like GAME FREAK (who have legal digital music here) didn't authorize you to sell in the first place, right.
 
'I do not and have NEVER done this for money whatsoever'
Sure thing, I'm sure it was all going to the Mega Man and Zelda composers from the very start, right.
 
'not shitty vinyl “collectors” that buy records only as trophies to show off to other collectors.'
Half your audience mate.
 
'If all I cared about was ripping off nerds, I could just infinitely repress the mega man 2 or Zelda albums.'
Or you could bootleg a load of other releases.
 
'But Im not trying to be a business.'
Good luck with that Snatcher license.
 
'you can see how many labels have quickly popped up after me'
Ignoring the hundreds of game records released before him.
 
'uninspired soundtrack album design that’s generic as hell' 
Reference to his own bad album art.
 
'though for the record there are still labels like Iam8bit and datadiscs do awesome quality work and everyone should support them'
I'm sure they totally respect what all the hard work Moonshake does too.
 
Ninja Gaiden is coming out? I don't think Keiji Yamagishi/Brave Wave would be very happy about that (who they work closely with) at least they work directly with the original artists, do people actually believe he's sending all that profit from the Pokemon records to Junichi Masuda? Why such the big deal, it's half-ass work made out to be some glorious bootleg revolution. You can't make up excuses until you at least try attempt going legit, and asking your mailing list for lawyer help doesn't make it any easier.

About the Pokemon record: 'The most annoying being that they list the record is $50, which I did not authorize them to do whatsoever'
Just like GAME FREAK (who have legal digital music here) didn't authorize you to sell in the first place, right.
 
'I do not and have NEVER done this for money whatsoever'
Sure thing, I'm sure it was all going to the Mega Man and Zelda composers from the very start, right.
 
'not shitty vinyl “collectors” that buy records only as trophies to show off to other collectors.'
Half your audience mate.
 
'If all I cared about was ripping off nerds, I could just infinitely repress the mega man 2 or Zelda albums.'
Or you could bootleg a load of other releases.
 
'But Im not trying to be a business.'
Good luck with that Snatcher license.
 
'you can see how many labels have quickly popped up after me'
Ignoring the hundreds of game records released before him.
 
'uninspired soundtrack album design that’s generic as hell' 
Reference to his own bad album art.
 
'though for the record there are still labels like Iam8bit and datadiscs do awesome quality work and everyone should support them'
I'm sure they totally respect what all the hard work Moonshake does too.
 
Ninja Gaiden is coming out? I don't think Keiji Yamagishi/Brave Wave would be very happy about that (who they work closely with) at least they work directly with the original artists, do people actually believe he's sending all that profit from the Pokemon records to Junichi Masuda? Why such the big deal, it's half-ass work made out to be some glorious bootleg revolution. You can't make up excuses until you at least try attempt going legit, and asking your mailing list for lawyer help doesn't make it any easier.

About the Pokemon record: 'The most annoying being that they list the record is $50, which I did not authorize them to do whatsoever'
Just like GAME FREAK (who have legal digital music here) didn't authorize you to sell in the first place, right.
 
'I do not and have NEVER done this for money whatsoever'
Sure thing, I'm sure it was all going to the Mega Man and Zelda composers from the very start, right.
 
'not shitty vinyl “collectors” that buy records only as trophies to show off to other collectors.'
Half your audience mate.
 
'If all I cared about was ripping off nerds, I could just infinitely repress the mega man 2 or Zelda albums.'
Or you could bootleg a load of other releases.
 
'But Im not trying to be a business.'
Good luck with that Snatcher license.
 
'you can see how many labels have quickly popped up after me'
Ignoring the hundreds of game records released before him.
 
'uninspired soundtrack album design that’s generic as hell' 
Reference to his own bad album art.
 
'though for the record there are still labels like Iam8bit and datadiscs do awesome quality work and everyone should support them'
I'm sure they totally respect what all the hard work Moonshake does too.
 
Ninja Gaiden is coming out? I don't think Keiji Yamagishi/Brave Wave would be very happy about that (who they work closely with) at least they work directly with the original artists, do people actually believe he's sending all that profit from the Pokemon records to Junichi Masuda? Why such the big deal, it's half-ass work made out to be some glorious bootleg revolution. You can't make up excuses until you at least try attempt going legit, and asking your mailing list for lawyer help doesn't make it any easier.

Talk about Moonshake complaining about inconsistencies, he couldn't be any less humble if he tried.
 
About the Pokemon record: 'The most annoying being that they list the record is $50, which I did not authorize them to do whatsoever'
Just like GAME FREAK (who have legal digital music here) didn't authorize you to sell in the first place, right.
 
'I do not and have NEVER done this for money whatsoever'
Sure thing, I'm sure it was all going to the Mega Man and Zelda composers from the very start, right.
 
'not shitty vinyl “collectors” that buy records only as trophies to show off to other collectors.'
Half your audience mate.
 
'If all I cared about was ripping off nerds, I could just infinitely repress the mega man 2 or Zelda albums.'
Or you could bootleg a load of other releases.
 
'But Im not trying to be a business.'
Good luck with that Snatcher license.
 
'you can see how many labels have quickly popped up after me'
Ignoring the hundreds of game records released before him.
 
'uninspired soundtrack album design that’s generic as hell' 
Reference to his own bad album art.
 
'though for the record there are still labels like Iam8bit and datadiscs do awesome quality work and everyone should support them'
I'm sure they totally respect what all the hard work Moonshake does too.
 
Ninja Gaiden is coming out? I don't think Keiji Yamagishi/Brave Wave would be very happy about that (who they work closely with) at least they work directly with the original artists, do people actually believe he's sending all that profit from the Pokemon records to Junichi Masuda? Why such the big deal, it's half-ass work made out to be some glorious bootleg revolution. You can't make up excuses until you at least try attempt going legit, and asking your mailing list for lawyer help doesn't make it any easier.

Talk about Moonshake complaining about inconsistencies, he couldn't be any less humble if he tried.
 
About the Pokemon record: 'The most annoying being that they list the record is $50, which I did not authorize them to do whatsoever'
Just like GAME FREAK (who have legal digital music here) didn't authorize you to sell in the first place, right.
 
'I do not and have NEVER done this for money whatsoever'
Sure thing, I'm sure it was all going to the Mega Man and Zelda composers from the very start, right.
 
'not shitty vinyl “collectors” that buy records only as trophies to show off to other collectors.'
Half your audience mate.
 
'If all I cared about was ripping off nerds, I could just infinitely repress the mega man 2 or Zelda albums.'
Or you could bootleg a load of other releases.
 
'But Im not trying to be a business.'
Good luck with that Snatcher license.
 
'you can see how many labels have quickly popped up after me'
Ignoring the hundreds of game records released before him.
 
'uninspired soundtrack album design that’s generic as hell' 
Reference to his own bad album art.
 
'though for the record there are still labels like Iam8bit and datadiscs do awesome quality work and everyone should support them'
I'm sure they totally respect what all the hard work Moonshake does too.
 
Ninja Gaiden is coming out? I don't think Keiji Yamagishi/Brave Wave would be very happy about that (who they work closely with) at least they work directly with the original artists, do people actually believe he's sending all that profit from the Pokemon records to Junichi Masuda? Why such the big deal, it's half-ass work made out to be some glorious bootleg revolution. You can't make up excuses until you at least try attempt going legit, and asking your mailing list for lawyer help doesn't make it any easier.

ShipToShore has put up a teaser picture of what's to come
(Night Striker, Elevator Action, RayForce and Metal Black)

The Chrono Trigger/Chrono Cross record is now up for pre-order (for a December release) on the EU store - https://store.eu.square-enix.com/emea_uk/merchandise/Chrono-Trigger-Chrono-Cross-Arranged-Album-VINYL-EDITION.php

Back when I was a kid I walked to school. Uphill. Both ways. And in the snow!

Pokemon test presses' secret track is the TV show theme song...90s are back y'all.
 
https://instagram.com/p/7wERArkgAI/?taken-by=unfortunateface

Shovel Knight would be great to a have!
 

Some news that may have been overlooked yesterday: Shinobi III is one of the next Data Discs releases.