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kas1985

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Posts posted by kas1985

  1. 36 minutes ago, Browsergeeser said:

    How about the Captain Beefheart vault?  I don’t recall there being a TMR affiliation with that one, but maybe so?  That was my least favorite vault ever, by far.

    Jack White had covered Captain Beefheart on a number of occasions, including the “Party of Special Things to Do” EP which was released through the Sub Pop Singles Club in 2000, and later re-released through the Vault. Jack had also referenced Captain Beefheart frequently, had released an essay about Captain Beefheart and had taken a photo in front of his home while on tour with The Dead Weather a number of years ago.  So, I agree with you that it did not have a link any more than Johnny Cash in this case, I don’t think it was a surprise to anyone in the Vault that Captain Beefheart got a Vault release as it seemed a passion project for Jack. 

  2. 10 minutes ago, Scruffy...the janitor said:

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    Beginning on April 29th 1973 and lasting for another six evenings, the "A Week To Remember" concerts dreamt up by music industry icon Clive Davis were a stunning way to highlight the Murderers Row line-up of artists that were then signed to Columbia Records. With highlights like Miles Davis, the Staples Singers, Bruce Springsteen, Earth, Wind and Fire along with many others, the seven nights of shows at the Ahmanson Theater in Los Angeles was, by all accounts, a remarkable showcase of the clout the legendary label wielded.

     

     

    Of particular interest is the live performance by Johnny Cash. Touching on just about every song one would wish for him to play at a concert in 1973, the stacked set list includes choice guest appearances from both his wife June Carter Cash and fellow Sun Records alumnus, Carl Perkins. Opening with the iconic "Big River" through a heavy take on Kris Kristofferson's "Sunday Morning Coming Down" a breezy jaunt through "A Boy Named Sue" to "Hey Porter" to "I Walk The Line" to "Jackson" and "Folsom Prison Blues" it's a wonder at how many downright PURE hits were just...the songs in his set.

     
     
    <a href="https://adserver.adtech.advertising.com/adlink|3.0|11409.1|4852571|0|170|ADTECH;loc=300;alias=" target="_blank"><img src="https://adserver.adtech.advertising.com/adserv|3.0|11409.1|4852571|0|170|ADTECH;loc=300;alias=" border="0" width="300" height="250"></a>

     

    Third Man Records, in conjunction with Sony Music and the estate of Johnny Cash are ecstatic to release A Night to Remember. Presented here for the first time ever is the full show multi-track recording of Cash's performance from that spring night of 1973. A master class in a show if there ever was one, this production holds up with Cash's previous live albums while still exposing a side to the Man in Black not displayed on his canonical sets from San Quentin and Folsom Prison. Pressed on two discs on a new vinyl color we’re calling “vintage white", this double LP is yet another prime entry in the already-expansive Cash discography.

    As if that weren't enough, Davis had the foresight to professionally FILM these concerts. While not capturing the entire set, the revelatory backstage footage is worth the price of admission alone. The high-quality, multi-camera shoot is gorgeous and immediately transports the viewer back forty-plus years and this previously unseen moment of Cash in full command of his performance and a crowd just lapping it up.

    Over the past several years, Grammy Award Winning producer John Carter Cash has embarked on an ambitious project pairing both lyrics and poems written by Johnny Cash and placing them with current artists to create an entirely new collaboration. The Forever Words album of 2018 was inspiring and continuing on that path, a 7-inch including two previously unreleased Forever Words pieces accompany this package. We couldn’t be more excited to have the inimitable Ruston Kelly sharing his earth-shaking romp on “Dark and Bloody Ground.” On the flip side, a super-secret MYSTERY ARTIST to be revealed soon. Feel free to start guessing. It's a doozy. Pressed on jaw-dropping gold colored vinyl, this single is a thing of pure beauty.

    We can think of no better way of not only keeping the music and memory of Johnny Cash alive than by these collaborations with artists out there today who we feel are both important and worth sharing with the Third Man world.

    Sign up now to receive this package, the deadline for orders is midnight local time July 31st.

     

    A Night To Remember 2 x LP

    1. Big River

    2. Sunday Morning Coming Down 

    3. The City Of New Orleans 

    4. Ballad Of Barbara

    5. A Boy Named Sue

    6. Going To Memphis 

    7. That Silver Haired Daddy Of Mine – with Carl Perkins 

    8. Medley: Hey Porter/ Folsom Prison Blues/ Wreck Of The Old 97/Orange Blossom Special 

    9. I Walk The Line 

    10. Jackson - with June Carter Cash 

    11. If I Were A Carpenter – with June Carter Cash

    12. Help Me Make It Through The Night

    13. Help Me with June Carter Cash & Larry Gatlin

    14. Lord, Is It I?/The Last Supper

    15. If I Had A Hammer with June Carter Cash 

    17. Daddy Sang Bass with June Carter Cash & Carl Perkins 

    16. Will The Circle Be Unbroken with June Carter Cash & Carl Perkins 

    18. Folsom Prison Blues (outro)

     

    Forever Words 7-inch single

     

    Ruston Kelly “Dark and Bloody Ground” & TOP SECRET MYSTERY ARTIST

     

    I saw this when it was announced yesterday. I have to say I’m a little conflicted. There have been projects released through The Vault that I am probably less interested in, but this package has absolutely no tie to Third Man whatsoever (TMR artist, recorded at Third Man, etc.)

  3. 39 minutes ago, Sh100by said:

    Probably another stupid Deep Elm stipulation. I'm guessing it was the last time they could use those plates and shelling out more money for plates for a 3LP release is expensive.

    I tried looking around for the link that stated the gold pressing would be the last pressing, but Big School Records, the label that put out the gold pressing has significantly changed their website since I purchased from them. Thus, the wording indicating that it would be the last pressing is no longer there. 

  4. 17 minutes ago, Derek™ said:

    How did yours turn out?  I saw one that was basically a black record with a "glow" (swirls) around the center label.  Looked interesting but I can see why someone would be underwhelmed.  The huge fluctuation of variants is a double-edged sword – simultaneously neat but potentially disheartening after seeing how good some of these variants could look.  Even that UK peacock variant is victim to it.  Looks stunning in the pic a few pages back, but like a green record in the photo posted on the last page.  I'm sure a lot of it has to do with angle and lighting for the photo, too, but still.  Can't recall the last time I've seen such a variety in 1 press.

    Mine is mostly the light blue with a few black swirls. The black swirls were kinda just on one side of the record, and there’s almost none of the green that I’ve seen in some of the others. And it’s almost completely opaque. Even held up to the light there’s not much coming through. Not complaining, it’s still a good looking record, just not what I was expecting compared to what I had seen online prior to getting my own copy.

  5. 4 hours ago, ethereal said:

    you know there’s a pandemic going on right now, right ? USPS shipments can take up to a week to show scan-in. This is stated right on their site.

    I actually did know there was a pandemic going on. And believe it or not, I did see the disclaimer on the USPS site that Priority Mail is taking on average, a day longer than usual. As I bought these from Germany and paid €24 for shipping, then got USPS tracking, (not what I was expecting when I paid for international shipping) I simply asked a question about how others’ experience in receiving their records had been. Your experience in receiving your records? Or no?

  6. I haven’t seen it mentioned in this thread yet, but the new Brendan Benson album is out and is pretty good. I would encourage a listen. I feel like with most albums nowadays the singles are my least favorite on the album and are not a good representation of the album as a whole.

     

    The pink indie exclusive is still around, I bought it from Bull Moose a couple days back.

    https://www.bullmoose.com/p/34381688/benson-brendan-dear-life-opaque-pink-vinyl-indie-exclusive


    Also available at Zia

    https://www.ziarecords.com/p/11760598/benson-brendan-dear-life-opaque-pink-vinyl-indie-exclusive

     

     

  7. I tried to swap for Black Pumas and Frances Quinlan, but neither were available. I feel like most of what’s available are the past records of the month that have been there for years. Nothing of much quality to swap for. This is why I cancelled the last time, and looks like I’m primed to cancel again after I get my White Stripes record next month. 

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