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mytrainwreck

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  1. Like
    mytrainwreck got a reaction from randomfortunepa in SS: Huge "A" Collection, AFI, Acceptance, Against Me, ATAL, Anniversary, ATDI, Wilhelm   
    Guys and gals, I know you want these records.  I know you do.  

    You definitely want Canopy Glow.  That record is so good.  Anathallo was the best!  Oh, and those Alcoa records!  Super sad!  Be sad with Derek Archanljksdbf from Defeater!  A Great Big Pile Of Leaves?  A Great Big Pile of Awesome is more like it!!!  I got Appleseed Cast, they're real sad and morose, too!  All Pigs Must Die?  Real angry.  Release your aggression with records!!!  And all of that Trio stuff!!!  I know that Skiba is like one of the 182 people in Blink now, but I mean, you know, it's still good!  You need these!
  2. Like
    mytrainwreck got a reaction from konk in WTB/TF: Koufax - Social Life   
    PM'd!
  3. Like
    mytrainwreck got a reaction from konk in WTB/TF: Koufax - Social Life   
    Strugglers wasn't bad, but I definitely enjoyed Hard Times much more.  

    Still, for me, It Had To Do With Love is my favorite Koufax record.
     
    "It had to do with love...or maybe, a lack thereof."  Sigh.  </3
  4. Like
    mytrainwreck got a reaction from B-dosia in Is keeping a record sealed worth it?   
    I take all of my records out of the shrink.  I, then, insert them into brand new sleeves before I catalog them in my record cabinet. 
     
    I have a gripe, here, though.  Excuse me for the redundancy, but why should it matter what anyone does with things they purchase with their hard (or not-so-hard) earned money?  I owned about 400 records before I even owned a turntable, and do you know why?  These records mean something to me.  When I got my copy of Jimmy Eat World's "Clarity" in the mail, I opened it and set it down next to me and felt relief.  Relief that a piece of art that meant so much to me (and still does) was now mine.  It was someone else's once, and I hope they found the same appreciation for it as I do.  I own a host of records that I feel a connection to, because I feel a deep connection to the music.  That's why I collect.  Forget the fact that it's higher fidelity, or that the album art is cool, and that sometimes there are vinyl-only tracks and special releases, and the litany of other reasons that vinyl is a great investment.  I invest because I love music.  If I choose not to play a record in my collection, why is that a problem?  It's really that difficult to wrap your head around the fact that people collect for different reasons? 
     
    I don't understand why a majority of the users here feel the need to berate and belittle, as if it's a fucking birthright.  Fact is, at one point, you had just one post on this board, and either you did or didn't ask a question that was asked one too many times, but when it's met with so much animosity, it drives people away from this community.  This community thrives because of the people in it, and I'm sure there are some bad apples on here, but for the most part, why is a new user expected to comb through thousands of posts for an answer to a question when they can just post their inquiry in twenty god damn seconds?  It's sort of shitty.  I love this place, I love being a part of it, I've found tons of records from people here and I frequent this board every day.  It never gets easier to see people being assholes.  Again, I guess that's your prerogative, though.

    P.S. I have a copy of "The Decline" on Clear.   
  5. Like
    mytrainwreck got a reaction from najerarick88 in Is keeping a record sealed worth it?   
    I take all of my records out of the shrink.  I, then, insert them into brand new sleeves before I catalog them in my record cabinet. 
     
    I have a gripe, here, though.  Excuse me for the redundancy, but why should it matter what anyone does with things they purchase with their hard (or not-so-hard) earned money?  I owned about 400 records before I even owned a turntable, and do you know why?  These records mean something to me.  When I got my copy of Jimmy Eat World's "Clarity" in the mail, I opened it and set it down next to me and felt relief.  Relief that a piece of art that meant so much to me (and still does) was now mine.  It was someone else's once, and I hope they found the same appreciation for it as I do.  I own a host of records that I feel a connection to, because I feel a deep connection to the music.  That's why I collect.  Forget the fact that it's higher fidelity, or that the album art is cool, and that sometimes there are vinyl-only tracks and special releases, and the litany of other reasons that vinyl is a great investment.  I invest because I love music.  If I choose not to play a record in my collection, why is that a problem?  It's really that difficult to wrap your head around the fact that people collect for different reasons? 
     
    I don't understand why a majority of the users here feel the need to berate and belittle, as if it's a fucking birthright.  Fact is, at one point, you had just one post on this board, and either you did or didn't ask a question that was asked one too many times, but when it's met with so much animosity, it drives people away from this community.  This community thrives because of the people in it, and I'm sure there are some bad apples on here, but for the most part, why is a new user expected to comb through thousands of posts for an answer to a question when they can just post their inquiry in twenty god damn seconds?  It's sort of shitty.  I love this place, I love being a part of it, I've found tons of records from people here and I frequent this board every day.  It never gets easier to see people being assholes.  Again, I guess that's your prerogative, though.

    P.S. I have a copy of "The Decline" on Clear.   
  6. Like
    mytrainwreck got a reaction from kjkenney in SS: Huge "A" Collection, AFI, Acceptance, Against Me, ATAL, Anniversary, ATDI, Wilhelm   
    I got around to updating the "A" Sale.  I added about 40 new records, including a bunch of Alkaline Trio, All Pigs Must Die, Alexisonfire, and a bunch of other stuff.

    Shipping will be $3.00 for the first three records, and $2.00 for every additional three records after that.  If they're 2xLPs, add an additional $1.00 for the first three records.

    All of the records are in great shape, unless otherwise noted.  If I see any imperfections after you've purchased, I will absolutely notify you and work out a solution.  All of my items are kept in brand-new dust sleeves and are kept in a smoke-free and climate-controlled environment.

    Here's the update, including the eight or nine that were left over!  PM me if you're interested!!!

    And also, here are the links to "B" and "C", which have already been posted - follow those links to see what is left of those!!!

    "B":
    http://boards.vinylcollective.com/topic/117725-ss-huge-b-collection-balance-blink-182-bayside-braid/
    "C":
    http://boards.vinylcollective.com/topic/118233-ss-huge-c-collection-city-colour-converge-copeland-cursive-etc/
     
    ----------------------------------------------- A Day In Black And White - My Heroes Have Always Killed Cowboys (Level Plane Records, 2004) [black | 2nd Press | /200] - $8   A Day In Black And White - Notes (Level Plane Records, 2005) [black | 1st Press | /???] - $8   A Great Big Pile Of Leaves - Boom! (Topshelf Records, 2011) [solid Cream | 1st Press | /150] - $20   A Great Big Pile Of Leaves - Have You Seen My Prefrontal Cortex? (Sinking Ship Records, 2010) [2xLP | Translucent Red/Translucent Green | 1st Press | /500] - $30   Able Baker Fox - Voices (Arctic Rodeo Recordings, 2011) [blue w/ White & Black Splatter | 1st Press (Europe) | /250] - $15   Achilles - Hospice (Farewell Party Records, 2010) [Grey | 1st Press | /143] - $10   Acorn, The - No Ghost (Paper Bag Records, 2010) [Transparent Red | 180 Gram | 1st Press | /300] - $15   AFI - Shut Your Mouth And Open Your Eyes (Nitro Records, 1997) [White | 1st Press | /300] - $25   AFI - The Art Of Drowning (Nitro Records, 2000) [black | 1st Press | /???] - $10   Aficionado - When It Comes To Creation (No Sleep Records, 2012) [Clear (w/ Silkscreened B-Side) | 1st Press | /500] - $8   Against Me! - Total Clarity (Fat Wreck Chords, 2009) [2xLP | Black | 1st Press | /???] - $12   Alcoa - Parlour Tricks (Bridge Nine Records, 2015) [Half Baby Blue/Half Maroon | 1st Press | /300] - $15   Alcoa - Bone & Marrow (Bridge Nine Records, 2013) [Translucent Red w/ Black Smoke | 1st Press | /200] - $12   Alexisonfire - Old Crows / Young Cardinals (Dine Alone Records, 2010) [2xLP | Clear/Black-Red/Black | 1st Press | /515] - $60   Alkaline Trio - Agony & Irony (Shop Radio Cast, 2013) [2xLP | Cream | 2nd Press | SRC Subscription | /250] - $40   Alkaline Trio - Alkaline Trio (Asian Man Records, 2008) [black | 2nd Press | /500] - $15   Alkaline Trio - Broken Wing (Epitaph Records, 2013) [Opaque Blue | 1st Press | /1500] - $20   Alkaline Trio - Crimson (Vagrant Records, 2009) [2xLP | Translucent Blue | 2nd Press | /250] - $50   Alkaline Trio - Damnesia (Epitaph / Heart & Skull, 2012) [2xLP | Cola Brown | 1st Press | /500] - $20   Alkaline Trio - From Here To Infirmary (Vagrant Records, 2011) [Purple Marble | 2nd Press | /126] - $40   Alkaline Trio - Goddamnit (Asian Man Records, 2008) [Red | 1st Press | /500] - $40   Alkaline Trio - Maybe I'll Catch Fire (Asian Man Records, 2008) [Red/White Swirl | 2nd Press | /500] - $25   Alkaline Trio - My Shame Is True (Epitaph Records, 2013) [Opaque Pink | 1st Press | /1000] - $30   Alkaline Trio - This Addiction (Epitaph / Heart & Skull, 2010) [Translucent Green | 1st Press | /1000] - $20   All Pigs Must Die - All Pigs Must Die (Non-Believer Records, 2010) [black | 2nd Press | /850] - $12   All Pigs Must Die - God Is War (Southern Lord Records, 2011) [Clear | 180 Gram | 1st Press | /500] - $20   All Pigs Must Die - Nothing Violates This Nature (Southern Lord Records, 2013) [black | 1st Press | /???] - $12   Allison Weiss - Remember When (No Sleep Records, 2014) [Coffee w/ Creamer | 1st Press | No Sleep Sub '14 | /125] - $10   Allison Weiss - Say What You Mean (No Sleep Records, 2013) [Coke Bottle Clear | 1st Press | No Sleep Sub '13 | /200] - $10   Aloha - Home Acres (Polyvinyl Records, 2010) [black | 1st Press | /???] - $10   Alove For Enemies - Resistance (Facedown Records, 2006) [White w/ Blue/Green Splatter | 1st Press | /???] - $15   Ambitions - Stranger (Bridge Nine Records, 2009) [White w/ Green & Orange Splatter | 1st Press | /1000] - $8   American Football - American Football EP (Polyvinyl Records, 2008) [black | 180 Gram | 1st Press | /???] - $12   American Football - American Football LP (Polyvinyl Records, 2008) [black | 180 Gram | 2nd Press | /???] - $12   American Scene, The - Safe For Now (Pure Noise Records, 2012) [Maroon | 1st Press | /300] - $10   Anathallo - Canopy Glow (Anticon Records, 2009) [black | 1st Press | /1000] - $12   Anatomy Of A Ghost - Evanesce (Rise Records, 2013) [2xLP | Blue | 1st Press | /200] - $20   Andrew Dost - Columbus (Paper + Plastick, 2009) [Orange | 1st Press | /???] - $12   Annuals - Such Fun (Ace Fu / Canvasback Music, 2008) [black | 1st Press | /???] - $10   Antlers, The - Hospice (Frenchkiss Records, 2009) [black | 1st Press | /???] - $20   Apologies, I Have None - London (Household Name Records, 2012) [black | 1st Press | /425] - $15   Appleseed Cast, The - Illumination Ritual (Graveface Records, 2013) [black | 180 Gram | 1st Press | /500] - $15   Appleseed Cast, The - Sagarmatha (The Militia Group / Graveface, 2010) [2xLP | Black | 2nd Press | /1000] - $20   Appleseed Cast, The - Two Conversations (Graveface Records, 2009) [Clear w/ Black, White, Yellow Splatter | 2nd Press | /500] - $25   Aqualung - Strange And Beautiful (Red Ink Records, 2005) [2xLP | Black | 1st Press | /???] - $12   Ariel Kill Him - Alpha Is Down (Strange Fruit / Kasual, 2002) [black | 1st Press | /???] - $10   Ariel Kill Him - In The Pyramid (Strange Fruit / Kasual Recordings, 2003) [black | 1st Press | /???] - $10   Arkells - High Noon (Dine Alone Records, 2014) [Mint Green | 180 Gram | 1st Press | /???] - $12   Armor For Sleep - Smile For Them (Sire Records, 2007) [black | 1st Press | /???] - $15    Arrows In Her - Leaving. (Self-Released, 2014) [black | 1st Press | /150] - $20   As Tall As Lions - As Tall As Lions (Triple Crown Records, 2014) [Clear w/ Pink Splash | 3rd Press | /1000] - $25   As Tall As Lions - Into The Flood (Triple Crown Records, 2008) [White | 1st Press | /1000] - $30   At The Drive-In - In/Casino/Out (Fearless Records, 2012) [Gray w/ Hot Pink Splatter | 2nd Press | /2000] - $20   Ataris, The - Anywhere But Here (Kung Fu Records, 2014) [blue/Yellow Swirl | 2nd Press | /1000] - $15   Ataris, The - Blue Skies, Broken Hearts...Next 12 Exits (Mightier Than Sword, 2009) [black | 180 Gram | 2nd Press | /500] - $30   Ataris, The - End Is Forever (Kung Fu Records, 2001) [black | 1st Press | /???] - $10   Ataris, The - So Long Astoria (Kung Fu Records, 2015) [Coke Bottle Clear | 2nd Press | /???] - $15   Atlantic/Pacific - Meet Your New Love (No Sleep Records, 2011) [blue/White Mix | 1st Press | /200] - $10   Attack In Black - Years (By One Thousand Fingertips) (Dine Alone Records, 2011) [2xLP | Black | 1st Press | /1038] - $20   Attica! Attica! - Napalm & Nitrogen (Black Numbers, 2013) [Orange/White Swirl | 1st Press | /125] - $12   Audio Learning Center - Friendships Often Fade Away (Vagrant Records, 2002) [black | 1st Press | /???] - $10   August Burns Red - Leveler (CI Records, 2012) [Green/Brown Splatter | 2nd Press | /1000] - $30   Aviator - Head In The Clouds, Hands In The Dirt (No Sleep Records, 2014) [Coffee w/ Creamer | 1st Press | /125] - $12  
  7. Like
    mytrainwreck reacted to Barberbro in Hidden Hospitals - Surface Tension - Full Stream up now. Record rips.   
    Just finished listening to this for the first time. I must say, these guys are amazing. Some music, seldomly, moves me from the very first listen. This is one of those albums I think is fantastic from the beginning. Great music, great dynamics, great record! Period! Now I got to get a digital copy to throw on in the car. This is great driving music. I'll be telling everyone about these guys. It's really awesome that through VC I have discovered bands that I probably would've never stumbled upon. Thanks SAC.
  8. Like
    mytrainwreck got a reaction from TheWindBlower in VC Official Pro Wrestling Thread   
    I am, actually.  Here's a video of us playing like 45 seconds of Jericho's theme.  Video is pretty shit quality.

  9. Like
    mytrainwreck got a reaction from Kjm23 in VC Official Pro Wrestling Thread   
    I am, actually.  Here's a video of us playing like 45 seconds of Jericho's theme.  Video is pretty shit quality.

  10. Downvote
    mytrainwreck got a reaction from Duff in You guys into Professional Wrestling?   
    Well, would you look at that.  I guess I was wrong, and you're right.  Congrats on your internet victory, brother.
  11. Downvote
    mytrainwreck got a reaction from Duff in You guys into Professional Wrestling?   
    No.  It wasn't.  It got pinned in response to this thread.
  12. Downvote
    mytrainwreck got a reaction from Duff in You guys into Professional Wrestling?   
    thanks.  i'll close this one.
  13. Downvote
    mytrainwreck got a reaction from Duff in You guys into Professional Wrestling?   
    I did a quick search, didn't see a pro wrestling thread, thought we might've needed one.
     
    Money In The Bank is in a few days, any predictions on who's walking away with the belt(s)?  Or the briefcase?

    If anyone's into some of the indy stuff, ROH's Best In The World was a hell of a show.  If you wanna see some real great wrestling, check it out.
     
    Edit:  found one, hadn't been bumped since 2011.
  14. Like
    mytrainwreck got a reaction from MatBishop3000 in PO: As Cities Burn - Son, I Loved You At Your Darkest   
    i will send you this record if you can make chris jericho come to my house and give me a codebreaker and then hang out with me
  15. Like
    mytrainwreck got a reaction from kingnikko5 in Is keeping a record sealed worth it?   
    I take all of my records out of the shrink.  I, then, insert them into brand new sleeves before I catalog them in my record cabinet. 
     
    I have a gripe, here, though.  Excuse me for the redundancy, but why should it matter what anyone does with things they purchase with their hard (or not-so-hard) earned money?  I owned about 400 records before I even owned a turntable, and do you know why?  These records mean something to me.  When I got my copy of Jimmy Eat World's "Clarity" in the mail, I opened it and set it down next to me and felt relief.  Relief that a piece of art that meant so much to me (and still does) was now mine.  It was someone else's once, and I hope they found the same appreciation for it as I do.  I own a host of records that I feel a connection to, because I feel a deep connection to the music.  That's why I collect.  Forget the fact that it's higher fidelity, or that the album art is cool, and that sometimes there are vinyl-only tracks and special releases, and the litany of other reasons that vinyl is a great investment.  I invest because I love music.  If I choose not to play a record in my collection, why is that a problem?  It's really that difficult to wrap your head around the fact that people collect for different reasons? 
     
    I don't understand why a majority of the users here feel the need to berate and belittle, as if it's a fucking birthright.  Fact is, at one point, you had just one post on this board, and either you did or didn't ask a question that was asked one too many times, but when it's met with so much animosity, it drives people away from this community.  This community thrives because of the people in it, and I'm sure there are some bad apples on here, but for the most part, why is a new user expected to comb through thousands of posts for an answer to a question when they can just post their inquiry in twenty god damn seconds?  It's sort of shitty.  I love this place, I love being a part of it, I've found tons of records from people here and I frequent this board every day.  It never gets easier to see people being assholes.  Again, I guess that's your prerogative, though.

    P.S. I have a copy of "The Decline" on Clear.   
  16. Like
    mytrainwreck got a reaction from withengineheart in Albums That Should Be Pressed on Vinyl   
    RED ANIMAL WAR!?!?!?!?!  YES YES YES YES YES YES YES YES YES YES YES YES YES YES FRANKLIN WAS A CONSTRUCTION WORKER DOWN ON THE EAST SIDE OF TOWN
  17. Like
    mytrainwreck got a reaction from drtomoe123 in Albums That Should Be Pressed on Vinyl   
    I need the first two Sleeping records on wax.  Badly.  Everything Recover has ever done, too.  Wouldn't mind having the last two Reggie albums on vinyl, either.  Definitely everything from The Junior Varsity.  Junction 18.  Ugh, I know I'm repeating myself here, but it's just not god damn fair.
  18. Like
    mytrainwreck got a reaction from enjoytheride in Albums That Should Be Pressed on Vinyl   
    I need the first two Sleeping records on wax.  Badly.  Everything Recover has ever done, too.  Wouldn't mind having the last two Reggie albums on vinyl, either.  Definitely everything from The Junior Varsity.  Junction 18.  Ugh, I know I'm repeating myself here, but it's just not god damn fair.
  19. Like
    mytrainwreck got a reaction from njpunkmusic in Albums That Should Be Pressed on Vinyl   
    I need the first two Sleeping records on wax.  Badly.  Everything Recover has ever done, too.  Wouldn't mind having the last two Reggie albums on vinyl, either.  Definitely everything from The Junior Varsity.  Junction 18.  Ugh, I know I'm repeating myself here, but it's just not god damn fair.
  20. Like
    mytrainwreck got a reaction from heypeterman in Is keeping a record sealed worth it?   
    I take all of my records out of the shrink.  I, then, insert them into brand new sleeves before I catalog them in my record cabinet. 
     
    I have a gripe, here, though.  Excuse me for the redundancy, but why should it matter what anyone does with things they purchase with their hard (or not-so-hard) earned money?  I owned about 400 records before I even owned a turntable, and do you know why?  These records mean something to me.  When I got my copy of Jimmy Eat World's "Clarity" in the mail, I opened it and set it down next to me and felt relief.  Relief that a piece of art that meant so much to me (and still does) was now mine.  It was someone else's once, and I hope they found the same appreciation for it as I do.  I own a host of records that I feel a connection to, because I feel a deep connection to the music.  That's why I collect.  Forget the fact that it's higher fidelity, or that the album art is cool, and that sometimes there are vinyl-only tracks and special releases, and the litany of other reasons that vinyl is a great investment.  I invest because I love music.  If I choose not to play a record in my collection, why is that a problem?  It's really that difficult to wrap your head around the fact that people collect for different reasons? 
     
    I don't understand why a majority of the users here feel the need to berate and belittle, as if it's a fucking birthright.  Fact is, at one point, you had just one post on this board, and either you did or didn't ask a question that was asked one too many times, but when it's met with so much animosity, it drives people away from this community.  This community thrives because of the people in it, and I'm sure there are some bad apples on here, but for the most part, why is a new user expected to comb through thousands of posts for an answer to a question when they can just post their inquiry in twenty god damn seconds?  It's sort of shitty.  I love this place, I love being a part of it, I've found tons of records from people here and I frequent this board every day.  It never gets easier to see people being assholes.  Again, I guess that's your prerogative, though.

    P.S. I have a copy of "The Decline" on Clear.   
  21. Like
    mytrainwreck got a reaction from dustman361 in Is keeping a record sealed worth it?   
    I take all of my records out of the shrink.  I, then, insert them into brand new sleeves before I catalog them in my record cabinet. 
     
    I have a gripe, here, though.  Excuse me for the redundancy, but why should it matter what anyone does with things they purchase with their hard (or not-so-hard) earned money?  I owned about 400 records before I even owned a turntable, and do you know why?  These records mean something to me.  When I got my copy of Jimmy Eat World's "Clarity" in the mail, I opened it and set it down next to me and felt relief.  Relief that a piece of art that meant so much to me (and still does) was now mine.  It was someone else's once, and I hope they found the same appreciation for it as I do.  I own a host of records that I feel a connection to, because I feel a deep connection to the music.  That's why I collect.  Forget the fact that it's higher fidelity, or that the album art is cool, and that sometimes there are vinyl-only tracks and special releases, and the litany of other reasons that vinyl is a great investment.  I invest because I love music.  If I choose not to play a record in my collection, why is that a problem?  It's really that difficult to wrap your head around the fact that people collect for different reasons? 
     
    I don't understand why a majority of the users here feel the need to berate and belittle, as if it's a fucking birthright.  Fact is, at one point, you had just one post on this board, and either you did or didn't ask a question that was asked one too many times, but when it's met with so much animosity, it drives people away from this community.  This community thrives because of the people in it, and I'm sure there are some bad apples on here, but for the most part, why is a new user expected to comb through thousands of posts for an answer to a question when they can just post their inquiry in twenty god damn seconds?  It's sort of shitty.  I love this place, I love being a part of it, I've found tons of records from people here and I frequent this board every day.  It never gets easier to see people being assholes.  Again, I guess that's your prerogative, though.

    P.S. I have a copy of "The Decline" on Clear.   
  22. Like
    mytrainwreck got a reaction from romanos27 in Is keeping a record sealed worth it?   
    I take all of my records out of the shrink.  I, then, insert them into brand new sleeves before I catalog them in my record cabinet. 
     
    I have a gripe, here, though.  Excuse me for the redundancy, but why should it matter what anyone does with things they purchase with their hard (or not-so-hard) earned money?  I owned about 400 records before I even owned a turntable, and do you know why?  These records mean something to me.  When I got my copy of Jimmy Eat World's "Clarity" in the mail, I opened it and set it down next to me and felt relief.  Relief that a piece of art that meant so much to me (and still does) was now mine.  It was someone else's once, and I hope they found the same appreciation for it as I do.  I own a host of records that I feel a connection to, because I feel a deep connection to the music.  That's why I collect.  Forget the fact that it's higher fidelity, or that the album art is cool, and that sometimes there are vinyl-only tracks and special releases, and the litany of other reasons that vinyl is a great investment.  I invest because I love music.  If I choose not to play a record in my collection, why is that a problem?  It's really that difficult to wrap your head around the fact that people collect for different reasons? 
     
    I don't understand why a majority of the users here feel the need to berate and belittle, as if it's a fucking birthright.  Fact is, at one point, you had just one post on this board, and either you did or didn't ask a question that was asked one too many times, but when it's met with so much animosity, it drives people away from this community.  This community thrives because of the people in it, and I'm sure there are some bad apples on here, but for the most part, why is a new user expected to comb through thousands of posts for an answer to a question when they can just post their inquiry in twenty god damn seconds?  It's sort of shitty.  I love this place, I love being a part of it, I've found tons of records from people here and I frequent this board every day.  It never gets easier to see people being assholes.  Again, I guess that's your prerogative, though.

    P.S. I have a copy of "The Decline" on Clear.   
  23. Like
    mytrainwreck got a reaction from ronniegwilliams in Albums That Should Be Pressed on Vinyl   
    RED ANIMAL WAR!?!?!?!?!  YES YES YES YES YES YES YES YES YES YES YES YES YES YES FRANKLIN WAS A CONSTRUCTION WORKER DOWN ON THE EAST SIDE OF TOWN
  24. Like
    mytrainwreck got a reaction from konk in WTB: Hot Water Music, No Trigger, Poison The Well, Hey Mercedes...   
    Alright, I just gotta post this in here. 

    This user "konk" sees my post, lets me know he's got a couple of the records I want, I make him an offer, he accepts, we go through with the transaction, all is well.  He, then, sends me a ten dollar refund because he tells me he saw the Hey Mercedes record on eBay for ten dollars cheaper.  This is the definition of a class act.  Seriously, I will give this guy all of my money for records for the rest of my life.  So, my dude, if you see this, that was the coolest thing, and everyone should buy from you.  Thanks.

    Anyways, thanks for all of your feedback and for all of you that got back to me about some of the stuff I wanted, I promise these will be going to a nice loving home.  Where they'll be spun.  All day.
  25. Like
    mytrainwreck got a reaction from 19841gg3 in WTB: Hot Water Music, No Trigger, Poison The Well, Hey Mercedes...   
    this is a good day.  my good buddy from buffalo right above me has blessed me with a poison the well record.  big time champ.  very stoked.

    KEEP IT GOING THOUGH!
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