llamaface

Is Dantheriver a kunt?

 
 
Your friend,
Sven-Göran Eriksson

That Coheed thread is

sorry bye <3

Figure some people here might get some use out of this. I created this calendar and map to list all the haunted houses/mazes/events that I could find for Los Angeles and Orange county. it's a work in progress and I'm adding new things as dates get announced. I did this last year for a few friends and since they all loved it, I decided to try and do it bigger. This was a rush, so please excuse the shitty wordpress themed site. I'm hoping next year I'll be able to do some custom coding and not use plugins for everything. Hopefully you guys find this helpful
 
http://www.myhauntlife.com/los-angeles-haunt-calendar
 
http://www.myhauntlife.com/los-angeles-haunt-map
 
Cheers!
 
 

Cooooool...
 

Eat some tacos.

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You've made a mockery of this thread.

Just wanted to let you guys know that my wife got a new job and she starts tomorrow! The first place she had an interview last week called today, at almost the same time to the day she was fired two weeks ago. Will be a big step up from being a graphics designer in a tint/graphics shop, to being the graphics designer and layout artist for a local paper Thanks for the helpful words you all offered the other week when I posted about our predicament, and thanks for reading and listening now!

OMG

http://thehardtimes.net/2015/08/25/dave-grohl-gives-one-lucky-fan-45-minute-backrub/

I'm fairly confident Tim Kasher at no point in the early 2000s was like "Yo, this pop punk band from long island is killing it. Let's do that."

oh def. Don't get me wrong, I love me some J Lacey, but Tim Kasher is the man. Also, the "charts" are not in question. Kashers importance in the creation of Lumberjack Records, now Saddle Creek, has changed the indie rock world forever. He was rocking in 93 with Slowdown Virginia. If you're relating these bands to pop charts, you clearly don't understand the importance, relevance, and purpose of music subcultures. That's like saying Fugazi isn't important because they never had top charting albums.

Pre-orders & tracks premiere up soon.
 
"The most "local" split you can get - written, recorded, designed, pressed and released in Laval, France. A perfect pairing between two loud and abrasive three-pieces, both tracked and mixed at La Senelle by Amaury Sauvé.

At this point BIRDS IN ROW should need no introduction, spreading their trademark tense and heartfelt hardcore/punk to every single corner of the globe with a P.A. system all along these last six years. These three new anthems make no exception, encapsulating all their savoir-faire whether it comes to raging heaviness or to more powerfully melancholic tracks. This is the band's first installment in a string of splits that will see the light in the future.

Following a bunch of EPs, this split marks WAITC's brutal first steps on vinyl. Founded in 2012 (and formerly known as We Are In The Country) this young band has refined its sound over the years, delivering what could be described as an angst-ridden, noise-infused reinterpretation of Ebullition-era screamo. With their distinctive nervous riffing and triple vocal assault perfectly served by an harsh, in-the-red production, these three tracks are directly establishing the band as a force to be reckoned with."

1 - Birds In Row — Can't Leave
2 - Birds In Row — Can't Lie
3 - Birds In Row — Can't Love
4 - WAITC — Empty Decade/Saturnism
5 - WAITC — Veiled Ax
6 - WAITC — Empty Mailbox

- Tracks 1-3 mastered by Nick Zampiello at New Alliance East, Boston
- Tracks 4-6 tracks mastered by Karl Daniel Lidén at Studio Gröndahl, Stockholm
- Artwork by Bart Balboa and Matthis Lacroix
 

Yep, they will handle preorders with an exclusive color variation !

99% of it.