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kannibal

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Posts posted by kannibal

  1. 18 hours ago, NapalmBrain said:

    ooh been wanting a copy for a long time, I hate half and half variants so I might just pick this up at retail in December, but I'm tempted. Birth Of Violence is one of the best sounding new releases from the last decade to my ears, the dynamics are incredible and the vinyl is dead quiet

    I also love BoV, and think it sounds great. Abyss on the other hand, despite having some great songs, has terrible production, IMO, and the vinyl doesn’t save it in that regard. It’s actually a tough listen for me. Abyss has the lowest DR of any of her albums. Its so dense,  dirty, and supposed to represent this dream like hellscape (so dynamics would seem important) to begin with, no need to ruin it with excessive mixing/mastering.

  2. On 8/21/2020 at 3:04 AM, Eliminator Jr. said:

     

    Not the only negative for me. I hated the fact that they didn't use any original artwork on the record sleeves. I recently got rid of the sets and bought originals since the prices have come down a bit. Still, well done and nice comprehensive sets, I'm just a purist when it comes to record sleeves ha.

    Yes, I can understand your feelings on the sleeves. It doesn’t bother me as these were made as stand alone releases. 
     

    You said you just bought originals. I just looked at OP Repetitions as mine has some strange damage on it* and Discogs listings were from $60-$100! Did you find a better price?

     

    i also want to point out a very small difference in the Repetition reissue. The OP has a lock groove at the end of side 2. Numero reissue cut does not. 

  3. I think the song is great. I’m going to VERY cautiously use the cliche term “back to basics” on this one. Not sure if it’s the band, or Terry Date, or both but they managed to sound fresh and stripped down (maybe even youthful!) a bit at the same time. It could be a little more if, like others have said, there is more to the end as the riffs start again and the song does end abruptly. Still, very happy I ordered the clear with the metallic cover. I was waffling for a while as I wasn’t sure how much I liked it at first. Cant wait to hear more from the album. 

  4. 5 hours ago, jhulud said:

    Bumping this old thread as I have a question. My local store just came into getting four of the box sets that NG did. 
     

    Anyone have all the sets? How many were there? Mind posting a photo? 
     

    Hollah! 
     

    How do you NOT have these? There are 4 total sets. What is it you want to see in the pic(s)? 
     

    These sets were a great value at regular price. As described above the content is great, both musically and physically. The only negative is they were all pressed at United, and sometimes you can tell. 

  5. Man, even a year ago I would have blind preordered this instantly, but I’ve been a lot more choosey these days. If I don’t think I’ll listen to it more than once I won’t buy it. 
     

    It’s not a Mastodon thing either, as I’m still loving all the studio albums. This has a lot of live tracks, and some of the covers aren’t that appealing. I’ll hold off on this. We’ll see. 

  6. Your best option may be a record weight. It will certainly hold the record down to the platter, even with the felt mat. The issue would that it would put undue wear on the motor, and it be so severe that the platter would spin slow. There is a clamp device that is plastic which wouldn’t add much weight. I think it’s called the Clever Clamp. 
     

    the other option would be to get another slip mat. But I don’t know if that would have better grip on the smooth plastic platter. I could imagine a silicone mat might grip better, but again it can’t be too heavy, as you don’t want it impacting the platter spinning or motor operation. 
     

    Obviously it’s a nice gift. Just be careful buying “upgrades” to these turntables as they may not work well, and in some cases, make things worse, or hurt things more. Good news is a clamp/weight or mat can be transferred to a better table down the road.

     

    Hope this helps.

  7. I’m back to using my XX-2 that I had Dynavector rebuild for me. Before the rebuild, I had a AT33PTG/II which was good, but I didn’t love it. Sometimes it did sound really good but I felt it lacked some magic that I find in the XX-2. I really like the line contact stylus on the XX-2. Detail with much more forgiveness compared to the AT. A lot more ticks, pops, and non-fill would show itself with the AT which had a micro line stylus.
     

    I tried three records with 2M Black and while 2 I found boring and flat, Radiohead - King of Limbs sounded very good. It was listening to Bloom, that I noticed the very wide soundstage. It was clean and full on that recording, and it worked well. 1 for 3 wasn’t going to cut it though and I gave it back to my buddy. 
     

    The high end AT MC carts are nice and get great reviews from users. They also seem to be a lot less money than a lot of the other MC carts. I haven’t heard the Hanas, but people sure like them too. I’ve only had MC carts, for the last 8 or so years when I started putting serious money into my setup. I got a good deal on a great phono pre that could easy handle MC so why not? I like the sound they provide, but I don’t think I would dislike a great MM if I heard one. 

  8. On 5/23/2020 at 3:38 PM, slinch said:

    I'm surprised it isn't longer.

     

    Anyways, I recently picked up a 2M Black and I'm honestly not feeling it. Boosted up top, thin in the mid. Running through an ifi iphono 2. Meh

    I didn’t like it much either when I tried it. Pretty similar results. It did have a very wide soundstage which was kind of cool. 

  9. I actually don’t like this at all. And not because it’s bad. It’s not. It’s just really bland and boring. I was hoping for something that stayed true to the source, but veered a little darker and creepier. Not looking for any heavy handed changes to the arrangements, but some slight “Danzig-ization” would have been welcome.  The “straight” take just doesn’t do anything for me. 

  10. So I’ve listened to the album a couple of times through, and it’s much better than my initial impression of the lead song would have me believe. The music isn’t as dark, but it’s still heavy and driving, with a lot of new ideas that really work well. The vocals aren’t great, but on most of the songs they’re not bad. It’s just the vocals on the pre-release song that I think are bad. If more songs had similar vocals, I think it would hurt the album. Because it’s just one song, I can live with it, especially because the music is so great. Glad I never cancelled. 

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