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fondfarewell

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Posts posted by fondfarewell

  1. 1 hour ago, igoodman said:

    Other than price, do you guys know what the difference is in the bundle from Kill Rock Stars vs. the indie electric blue bundle?

    It’s yellow and, at 1500 copies, presumably more limited. These aren’t really bundles—just LPs housed in a book. 

    KRS is offering a number of egregiously priced bundles that add on signed photo prints (in varying quantities and sizes depending on just how stupid the price gets) and, if you really have money to burn, a certificate of authenticity with the most expensive bundle. 🙄 
    I’ll risk the inauthenticity of a copy from Bullmoose. 

  2. 7 minutes ago, Kjm23 said:

    Anyone know how to get the Grey copy of the Tenacious D- Don't Blow It, Kage 7"? Discogs has this listed "Jack Gray Vault member release. Sold in vault novelties." Was this only available through the vault or can it still be purchased? Didn't have any luck searching the TMR store. Any help appreciated!

    It was available in the Vault novelties store a while back but sold out. It was priced at a premium—$20 or $30 IIRC. 

  3. 7 hours ago, chiefwahoo said:

    Aside from the type of stuff we're all generally interested in around here, I'd be interested to know of any shops that carry a lot of 45s, preferably an absurd amount of 45s.

    Happy to be corrected by others, but Academy Annex probably has the most 45s (though perhaps not an “absurd amount”) without being junky. They keep some boxes of more valuable stuff behind the counter, so ask for those too. 

  4. On 12/30/2019 at 8:06 PM, smailtronic said:

    Going to NYC in a couple weeks bump. Limited to One is squarely at the top of my list; any other good options that tilt toward that vein of newer rock/punk/etc? Generation and Academy Annex still decent options?

    The shops in Greenpoint are where I spend most of my time. Best are Record Grouch, Captured Tracks and Academy Annex, but there are a couple others that can be covered in between if you have time. All pretty close together, and Peter Pan Donuts is excellent for a coffee break.
    Rough Trade in nearby Williamsburg is fine, but I rarely buy new stuff at a store and that’s all they do.

    The only shops I’ve liked in Manhattan for used selection are Other Music (now closed) and Ltd to 1. Everywhere else, the prices tend to be stupid. 

  5. 8 minutes ago, Derek™ said:

    8x4 is what I’m looking at and I can’t wait to finally stop sweating shelf space and “getting creative” with storage.  I figured it’s nothing to overthink but still wanted to pick any willing brains that are reading this thread.  Appreciate both of your guys’ input.

    If you’re going 8x4 vertical like me, I would highly suggest gluing everything together on each unit, and also getting a sheet of MDF cut to size and nailed in on the back of each unit. The added strength and rigidity is key to keeping the bottom level from collapsing, from what I’ve read. Wall anchors are also worth considering for the top level, especially if you can get them into studs. 

  6. 56 minutes ago, Derek™ said:

    On the cusp of a very similar struggle over here, too.  Dreading it a bit but also excited to finally set up my second Kallax.

     

    On a related note, but sort of off-topic: does anyone have experience with a large collection [1,500+] in an apartment or townhouse that’s not on ground level?  Filling out some forms that ask about weight capacity and ownership of pianos / organs.  Got me thinking about significantly sized collections; multiple, fully loaded 4x4 Kallax shelves, etc.  Anything worth noting or to be otherwise concerned with?

    I have what is effectively an 8x4 Kallax to make use of my high ceilings. I remember reading something somewhere (Hoffman?) about floor construction and how you could basically never get too heavy with records in a properly constructed building. 

  7. 5 hours ago, timsimmons said:

    From my experience, the gassing only occurs when the record is in direct contact with the PVC (like a picture disc or some 7”s. 
     

    there was a huge thread about it at the Steve Hoffman forums, but (shocker) it devolved into bickering. I feel like the general consensus is, direct is the worst and TBD for records not in direct contact. 

    A number of years back, I swapped out only those PVC sleeves in direct contact (mostly pic discs). On some darker ones, you could see some hazing had occurred. 

    A couple years ago, I decided to swap out the rest. I found that adjacent poly sleeves had reacted with the PVC, becoming rippled and weaker. And the LP jackets under the poly sleeves stank like PVC. Records seemed fine, but it totally put me off keeping any PVC sleeves in my stacks.

  8. 1 hour ago, Derek™ said:

    You guys leaving these in the sleeves or transferring them out to avoid potential gassing?  I swapped all mine out and doctored off the hype stickers and barcodes to retain the original packaging as best as I could.

    Transfer transfer transfer. Stickers are easy to peel off. You can also just store PVC sleeves separately, which I’ve done for some others that are printed or otherwise unique. These are just generic, so into the trash they go. 

  9. 56 minutes ago, jason202 said:

    What's the best way to mail a winning card to the UK from the US? I don't believe I've ever sent mail overseas.

    A global stamp from the post office for $1.20. Highly unlikely it would go missing, but if you want proof of delivery, you’ll need to make it Registered Mail for an extra $16, or send by USPS Priority, UPS, FedEx or DHL, any of which will be around $20-25.

     

    Separately, I was 0/8 on scratch cards. If anyone won twice, I’ll buy it off you for a not crazy amount.  

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